Tag Archives: Tai Chi Chuan

A Martial Arts Night Before Christmas…

Newsletter 993

The Martial Arts Night Before Xmas

Here it is,
my annual Xmas poem,
the Night Before Xmas,
adapted for Martial Artists.

I won’t make apologies for it,
but I will ask one thing,
a present to me for Xmas,
if you will.

If I have offended,
sent the wrong order,
dropped a communication,
offended you in ANY manner,
even with this poem,
please forgive.
It’s a new year,
help me start it fresh,
the world is too wonderful a place
to carry around ANY ill will.

Now,
with no further ado,
here is…

THE NIGHT BEFORE CHRISTMAS!

Twas the night before Christmas
I was in my shack
primed and ready
for the red fat attack.

my weapons were loaded
the windows were barred
all would be safe
while I was on guard

The chimney was decked
with concertina wire
I crouched by the couch
ready to fire.

I had an M60
with ammo to feed
I didn’t care
if the red fat did bleed.

A loaded shotgun
and grenades to spare
when red fat came down
I’d blow him out of there.

Throwing stars and knives
and a really long sword
and if that didn’t work
I knew a bad word.

Sitting there late
my eyes started to close
when suddenly I heard
a bunch of ho hos.

Off with the lights
safety off, too
I  watched the fire close
and heard a sound from the flu.

‘Ouch and gosh darn it
who put the wire here
those are my undies
starting to tear!’

Then a shower of soot
and a grunt and a groan
he landed in the fire
and gave out a moan.

He was rubbing the place
where the wire did tear
so I held down the trigger
and lead filled the air.

belt after belt
did I deal the red fat
he danced and he jumped
I knew he felt that!

then quicker than spit
I ran out of lead
but enough was enough
he had to be dead.

Boy was I shocked
to see him stand tall
stepping out of the fireplace
not bothered at all.

So I grabbed up the 16
to mow him down
he had to be hurting
cause I saw his big frown.

Then I was empty
and he came straight for me
I pulled out my knives
and sliced him with glee

He jumped to the side
moving real quick
disarmed my knives
with a well placed kick

then he dropped the big bag
he had on his shoulder
reached forth his arms
and his anger did smolder

He grabbed hard my neck
and held me up high
I tried kicks and punches
but I was like a fly

Not karate nor judo
no art did work
and he grinned a mean grin
and called me a jerk

‘Don’t you know
you stupid little man
Christmas is forever
in spite of your plan.’

Then he threw me aside
and proceeded to work
giving presents to all
and to me a great smirk

And when he left
the great big red fat
he left me a lump of coal
the big red fat rat!

HANAKWANMASS TO ALL
and to all a great work out.

Have a great work out!
Al

http://monstermartialarts.com/martial-arts/matrix-karate/

Finding Your Soul Through the Martial Arts

Newsletter 983

The Windows to the Soul of the Martial Arts

I’ve talked about where you put your eyes before.
So let me say it again,
and give you a rather phenomenal martial arts drill.

My first school,
kenpo,
held the belief that you should focus on the chest,
develop peripheral vision when fighting.

My second school,
kang duk won korean karate,
was of a similar opinion.
My instructor,
the best martial artist I have ever known,
took it a step further.
‘Don’t look at the eyes,’
he said.
‘They will fool you.’

Well,
both schools were wrong.
Even the best martial artist I have ever known was wrong.

The eyes are the windows to a man’s soul.
The eyes are nothing but devices.
‘binoculars’ for the spirit that drives a man to look through.
What does the looking is the ‘I am.’
The spirit.
Who you really are.

I find it absolutely fascinating
that so many martial artists will hold to caveman theories
of watching the body,
and refuse to see who they really are.

So,
I get newbies pretty regularly,
and I teach them martial arts,
and I teach them to freestyle.
Shortly after they begin freestyle
I always do the following drill.

I have them stand with their back to the wall.
I tell them to look me in the eyes.
They are always staring away,
looking elsewhere,
it has become hard for man to look his fellow man in the eyes.
Used to be easy.
I met old timers and that is all they did.
Eye to eye,
a firm handshake seals the deal,
an honest day’s work,
that sort of thing.

So I have this fellow standing back to the wall,
I make sure he is looking at me,
and I punch him.
The first dozen punches are easy.
I swing roundhouses.
I punch fast,
but they are easy to see.
Frequently the student will close his eyes.
I do this easy method until he is able to keep his eyes open.
Then I speed up.
I spin and back fist,
I throw an occasional kick,
I have good control,
but the student’s eyes usually open up
as I put a little steam on the strikes.

He blocks them all.

That’s right.
the newbie student blocks virtually
EVERYTHING
I throw.

Why?
Because open eyes create intuition.

If a guy is looking away he is not seeing
and he might as well be unconscious.

If his eyes are open,
if the spirit of the man is actually watching,
there is no limit to what he can do.

From that point on I can teach him anything.
He will learn everything.
And easily.
And if he doesn’t,
I put him to the wall
and open his eyes again.

But…
don’t believe me.
Do it for yourself.
Put some bozo back to the wall,
go slow throw lazy rounders
and make sure he is watching,
that he doesn’t go to sleep with his eyes open.
Guaranteed,
you will have a fast learning student
who will staring looking at the world
in open eyed wonder.

This little drill has been brought to you
by the same fellow who gave you Matrix Karate

http://monstermartialarts.com/martial-arts/matrix-karate/

The totally scientific martial art
that opens eyes everywhere
and makes all martial arts quick and simple to learn.

Have a great work out!

Al

A WIN!

Bruce Lee Died Because of One Thing!

Newsletter 977

How Bruce Lee Died

One of the biggest questions I get,
year after year year,
is how did Bruce Lee die.
At first I didn’t know.
I searched through all the theories,
his family was cursed,
he was poisoned by jealous masters,
he had a bad reaction to
marijuana, tea, speed, aspirin, etc.
None of these worked,
all the theories fell apart under close examination.
Recently,
however,
I found out the real reason Bruce died.
It is totally logical,
backed up by facts,
makes sense,
and I fell it is the real reason.

Did you know that Bruce had his sweat glands removed?
That’s right.
He was trying to get rid of ‘underarm blotch,’
which looked terrible on the camera.
Now,
sweat glands are important,
and the ones under the arms VERY important.
It is a way of cooling down the body when it is overheated.
Overheated like working out,
shooting films in 100 degree heat under lights,
and so on.
In the months before Bruce died
word has it that he had fainted several times.
His brain is supposed to have swollen.
Again,
a byproduct of heat.
So Bruce Lee died through overheating his body,
which was caused by his having certain of his sweat glands removed.

Can I be totally, 100% sure?
No.
But I can be 99% sure.
His history,
the condition of his body,
the effect of removing sweat glands,
it all makes sense.

I would love to have a doctor exhume the body and find out for sure.
Except,
it’s done.
Whether it is misadventure
through the removal of sweat glands,
or Triad masters giving him repeated overdoses of aspirin.
Bruce is gone.
Thank God he was with us for a while,
he sure left us some gold.

Here’s a link to a site filled with Bruce Lee info.

http://freebrucelee.com

Have a great work out!

Al

A WIN!

I’ve come to the same conclusion as Bruce (Lee):  I no longer believe in ‘styles’.  I believe every martial artist has to create their own personal martial art.  Even if they are a die hard ‘traditionalist’ they still do it their own way or their own interpretation. ~ Matt R

“The less effort, the faster and more powerful you will be.”
– Bruce Lee

Creating Awareness Drills in the Martial Arts

Newsletter 975

The True Martial Art of Awareness

Got a student here,
having a rough time with Tai Chi.
When doing the form
she wants to go to a posture,
strike the posture,
and that’s all.
But the problem is one of awareness.

When I was doing a lot of Pa Kua,
one of the drills I made myself do
was walk the circle
while staring at my finger.
Focus on the finger.
And the point was this…
DO NOT GO UNCONSCIOUS!
In other words,
grow more aware.

When you strike a pose,
this is common in Karate and kung fu,
you have a moment of awareness.
When you follow the finger
as you walk the circle,
you create awareness at all times.
So striking a pose might result in 10% awareness,
but you need to achieve
100% awareness.
Awareness at all times.

If you go to a party,
and you are aware 10% of the time
and a fight breaks out,
there is a 90% chance
you will get struck.

But if you are aware 100% of the time
you will probably avoid getting struck at all.

People think the martial arts are about fighting.
Or building the body,
or quickness or strength,
or winning tournaments,
or making an image to impress the girls.
Martial arts,
TRUE martial arts.
have nothing at all to do with that.
They are about building awareness.

You have to break through the obsession with the body,
then even put aside energy,
and just become aware.

When I walk the circle in Pa Kua
I hold a finger and stare at it without break.

When I do a Tai Chi form I create circles
around my body with my hands,
and I never have a corner,
never pause or speed up,
just hold awareness in every motion I do.

When I do a freestyle drill,
the point is NEVER to beat the other person,
it is to create awareness,
to create a shield of awareness around myself
so that nobody can penetrate,
so that I can deal with anything
because I am aware.

And,
forgive me for the obligatory ad,
but if you are interested in Tai Chi especially,
but any art,
Matrix Tai Chi creates awareness
about ten times better than the classical form.
It is a simple matter of applied logic.
Maybe I’ll go into this in a later newsletter,
but for now,
remember this…
if you want your martial arts to be true
you must create awareness.
Period.

Here’s the link…
http://monstermartialarts.com/martial-arts/2ba-matrix-tai-chi-chuan/

Now have a GREAT Fourth of July!
Al

A WIN!

Al, Very early this morning I downloaded the Matrix Tai Chi package and wow! I read through the manual and am very impressed. I cant wait to start practicing what I am reading. The posture matrix and the application matrix, it makes so much sense. It took me a long time to learn the Yang short and long form as well as the Cheng Man Ching 37 form. Using the matrix I could have learned that all much quicker. I also glanced at the form video that came with the download and it reminds me of both Yang and the Cheng Man Ching forms run together but it all makes such perfect sense having read over the manual. I will read the manual over and over as I go through the course. I did the 5 Army Tai Chi course first and love it but I am seeing a lot more in the 5 Army form now having read the manual and all this after a quick read! This is great, I cant wait to get heavy into this program. I will keep you posted and as always, Thanks! ~ Kurt

“If you want to learn to swim jump into the water.
On dry land no frame of mind is ever going to help you.”
– Bruce Lee

How to Empty Out the Martial Arts

The Empty of Martial Arts

Gichin Funakoshi changed the name of karate.
It was naha te, which means ‘China Hand.’
He changed it to Karate, which means ‘empty hand.’
There have been all sorts of interpretations
regarding the ‘empty’ in Karate,
and why Gichin did this.
There have also been a lot of interest
in the significance of the word ‘empty’
for the whole martial arts.

I think it is Kenpo that says something to the effect
that no matter if you have a weapon,
I come to you with empty hands.
This is not born out,
however,
because Kenpo, and karate,
and other martial arts
have a lot of weapons.
So what does the word ‘empty’ mean.

Take a look at a sentence from The Tao.

‘Do nothing until nothing is left undone.’

This weird statement of redundancy
and a sort of a ‘double negative’ concept
gives hint to the true meaning.
But to understand the true meaning
one has to study both the hard and the soft.
Study just the hard and you are only studying one half the art.
Study just the soft and you are only studying one half the art.
You have to study both,
then put them together,
then think a lot to figure out the significance
of the word,
of the concept,
‘empty.’

In Aikido,
you empty the space in front of the punch
so that the person falls into the empty.
That’s easy to understand.
Defines a concept of harmony.
though it is sometimes harder than stuff to make work.
But that is the soft side of empty.
Works for Aikido,
Tai Chi,
and other arts, and techniques, of that ilk.
and understanding that kind of empty
leads to a lot of hard to explain abilities.

The empty in the hard side of the art is harder to explain.
First you learn focus.
Your whole body becomes rigid with power
but just for a moment.
Before and after…the body is empty.
If the instruction is good,
or the student is unusually smart,
he figures out that he need not make the whole body rigid.
He makes just the fist rigid,
the rest of the body is empty.
And,
I should add at this point,
the mind learns to become empty to make this step.
It is hard to empty the mind,
to focus on one thing (an opponent)
to the exclusion of all else.
But that is what is needed.
Then,
if the student happens to be blessed,
he figures out that he need not even make the fist empty.
He can just empty his fist
and stick the sticks of his bones
through the watermelon body of his opponent.
You find out all about this,
and all the necessary drills to make it happen,
in The Punch.

And,
to reach this level you have to understand
a few rather incredible things.
Stuff like:
the body is nothing but space…empty.
Or:
the universe is backwards.
But I will leave that for another time.
The truth is that,
unless a person has figured out how to make an ‘empty’ punch,
this stuff tends to be very scary.

anyway,
the subject of ‘empty’
is crucial to the martial arts,
and really needs to be understood
if one is going to get past the pain of bashing,
and into the true sublime nature of the martial arts.

Al

A WIN!

I’ve ordered several courses from you, but didn’t feel like it was time to write in until now. When I first got Matrixing Chi, it didn’t really make sense to me. Then I got The Punch and things started to click. The two flowed together and complimented each other incredibly well. I began to feel energy inside me, and my punches were beginning to pack a bit more power. But it wasn’t until I ordered The Master Instructor Course that things really changed. I began to notice (and fix) mistakes I hadn’t seen before. The most noticeable was the back stance. After correcting it, my punches have become much heavier as I’m able to more efficiently channel energy up my leg, through my arm, and out my fist. ~ Mylan B

“The less effort, the faster and more powerful you will be.”
– Bruce Lee

Growing Spiritually through the Martial Arts

Newsletter 973

Evolution Through Martial Arts

An interesting thing to think about,
when you do martial arts,
is how much you are evolving.

If you do a form
you might be doing a certain number of squats
by doing the horse stance,
a certain number of lunges
by doing front stances,
and so on.
This is all physical.
You get in better shape through
the simplicity of body weight exercises.
But what about the spirit?
How do you measure the progress of the spirit?
Actually,
there is a way to measure your spiritual evolution
through the martial arts.

What does a white belt have?
hopes and dreams,
not much discipline,
that’s all.

What does a green belt have?
a bare understanding of movements.

What does a brown belt have?
better understanding of movements
with power.

What does a black belt have?
He understands the movements
and he has control.
Control is so-o-o much more important than power.

What does a master have?
Wisdom.
His techniques are so polished
he can do them without muscle.
He knows what is happening
without having to think about it.
So what is the difference between these ranks?

Time.
And…the number of times they have done their forms/techniques.
The number of times you have done a technique
is the most important thing here.

So you go to class,
two hours a week
for a year.
You make it to green belt
and you have some understanding of what you have done,
and you have done the forms ten times a week for a year,
or 500 times.

You go for brown belt,
you practice for another year,
and you have done the forms 1000 times.

You go for black belt,
practice for another year
1500 forms

A few years pass,
let’s say ten,
you make it to 4th degree black belt
more forms,
add them up at 500 a year…
13 years
6,500 forms

But what if you did the 6,500 forms in one year.
Would you be a master?
You might have the wisdom,
you probably need a bit more physical work,
but, yeah.
If you could do 6,500 form in one year,
you could cut 12 years off the runway.

Unfortunately,
most people practice inadequate forms.
Random movement,
incorrect physics,
dictate that they will go slowly
no matter how much they practice.

But what if you had perfect forms,
that condensed the material of the random motions
that make up the classical forms?
What if you had a form that focused
only on the true and correct technique,
and was totally logical?
Would you have to do the forms 6,500 times?
Or,
if the forms were ten times better,
could you just do the forms 650 times?

Interesting question, eh?
With an interesting answer.
You see,
after selling matrixing course,
specifically Matrix Karate and
The Master Instructor Course,
since 2007,
I have seen that people have a rough time with this idea.

They think it takes 13 years,
because some bozo who wants to make money off them
tells them so.

But if this idea was correct
we would have no rock and roll.
Takes too long to master the guitar,
you know.

If this idea was correct
we would have no army.
Takes too long to make a soldier,
you see.

If this idea was correct
we would still be cavemen,
chipping flints
and scratching our armpits.

But the idea is correct.
Kids pick up the guitar today,
and next year are rock and roll stars.

Young men are given weapons,
and go into combat a few months later.

We aren’t cavemen.

But,
we have to give up the idea
that learning is slow.

If learning was slow
we would still be children!

No.
You can learn the martial arts fast.
And you have to.
It is a dangerous world,
riots,
home invasion,
crooked cops,
a government in love with abuse…
you have to learn fast.
Period.

Here are the fastest, best, most logical martial arts courses in the world…

http://monstermartialarts.com

All you have to do is scroll down the page,
pick the art that interests you the most,
and do it so darn quickly
the mugger’s head will spin.

Have a great work out!

Al

A WIN!

I have found such tremendous benefit in my study of Matrix Karate that I want to dig deeper and deeper.  It’s only been a few weeks, but the forms flow so easily; it’s like Matrix Martial Arts are the way the body is SUPPOSED to work.  I love it! ~ Ryan O

“Those who are unaware they are walking in darkness will never seek the light.”
– Bruce Lee

Love and Hate in the Martial Arts

Newsletter 971

Under the Martial Arts

There are people who do the martial arts,
and there are people who wander around
on the surface of the martial arts
and never get to the real depths.

Now look,
fighting is good.
It’s got to happen.
It’s martial,
right?

But what is under that?
What is under the fighting?
Fighting is when two people communicate.
Yeah.
It’s a form of communication.
The communication is pretty basic.
‘I hate you!’
I want to kill you!’
That sort of thing.

So let me ask you,
what do you feel when you fight in the martial arts?
And,
what should you feel?

When you are doing freestyle with friends
it’s all pretty light.
It’s a game of tag.
No escalation,
but the potential is there.
And you are practicing for that potential,
for when you need it.
Except…

Yeah, that exception thing,
it’s right under everything,
nobody gets it much,
but it’s there,
and here it is.

If an insane man comes at you on the street,
wants to kill you,
should you feel hate?
Anger?
Rage?
If you do then you are lowering yourself to his level,
you are just as insane as him.
Even in the middle of a fight for life.

What you should feel is joy.
Somebody is talking to you,
and they mean what they say.
Doesn’t matter if you like what they say,
what matters is that they think enough of you
to communicate such important things to you.

And,
he is giving you a gift.
That fist,
that foot,
that knife,
is the solid part of the communication,
and it is a gift.
He is allowing you to work your technique.
He is giving you a chance to present your art,
to manifest your soul.

So let me ask you,
should your soul reflect hate?
Or should you be grateful that another human being
loves you enough to communicate his deepest desires to you?

This idea,
that a punch is a communication
and an expression of love
is underneath the martial arts.
And you should practice the martial arts
not to feel hate,
or some other emotion,
but to express love.
Except…
uh oh,
one more of those exceptional things…

when you do the martial arts
you shouldn’t feel love nor hate.
Love is a contract to express affection no matter what.
Hate is an out of control emotion,
signifying that the human has stopped thinking.

The best way to understand this is this:
there is no such thing as good,
there is no such thing as evil,
those are terms we made up
to describe things we like or don’t like.
They don’t exist,
except as concepts to describe what we are feeling.

The same thing holds true for love and hate,
love is a contract for affection,
hate is an emotion we use to attack someone.
You are going towards or way,
and to be totally efficient in the martial arts,
you put aside love and hate,
not wasting energy on such emotional expressions,
and focus only on what you are doing.

Have you ever read a book
and lost track of the time?
Or even seen a movie,
and gotten so engrossed
you were unaware of the passage of time?
That is what you should be doing in the martial arts,
that is the martial art underneath
fighting and hate and love
and all that sort of distraction.

When you fight it should be as if
you are in a tunnel,
and the reduction of the situation
is at the other end of the tunnel.
Hopefully it won’t include
the reduction and destruction
of the other person.

Oddly,
I didn’t learn this through freestyle,
I learned this,
became able to enter the tunnel,
and divest myself of distractive emotions
and concepts and such
by doing the forms.
I learned to focus and concentrate by doing the forms.

And that’s what is underneath the martial arts,
and it is easy to get to
if you just focus,
concentrate,
and dedicate yourself
to a higher existence.
Of course,
it is much easier to get there
if you have eliminated distractions from your art,
gotten rid of impure techniques,
unwanted motion and such,
by matrixing your art.

Here’s the obligatory ad;
it is one of the advanced drills I use
for teaching people how to fight without distractions,
emotions, and that sort of thing.

http://monstermartialarts.com/martial-arts/rolling-fists/

Have a tremendous work out!
Al

A WIN!

Freestyle: I have had awful instructors who do and promote a gladiator freestyle event on a weekly basis. I hated it and never came back. What really ticked me off was that it was a TKD class. I felt like he was selling TKD as a viable street defense and I did not agree. As a brown belt in jiu jitsu I would have no problem shooting a single or double leg take down on an advanced TKD practitioner and did so repeatedly but the sparring was only stand up and people were just pounding each other. When that occurs they regressed to gross motor skills and swung and kicked wildly. That being said, your method allows the student to slowly build the skill, grown the fine motor control, and get used to the time dilation that occurs when sparring or fighting. As a person that’s deployed several times I work well in high stress environments but that took years to develop. I think your method is a scientific, controlled, and best of all repeatable manner in which to inoculate a student to stressors. ~ Paul v H.

“If you don’t want to slip up tomorrow, speak the truth today.”
– Bruce Lee

What I learned After 50 Years of Martial Arts Forms

Newsletter 966

Fifty Years of Martial Arts Forms

Felt like a work out the other night,
so I went out and did my forms.
I did the basic Pinan (Heian) forms.

I learned those forms near 50 years ago.
I do them near every day,
and for a simple reason:
I learn something from them.

I look at each angle,
adjust those angles according to stance,
and the surface I am on,
if the legs are spread wider
it changes the angle of the arms.
I work on breathing,
focusing on the tan tien
and coursing energy through the body,
making sure I have the correct angles
to support the energy.

As I go through the forms
I imagine opponents,
how the blocks would work,
focusing on the snap and pop
as I loosen and tighten the muscles,

The forms are calisthenics,
a lot of people don’t think of the forms like that,
they are into the mystical and such,
and I am not unaware of the mystical,
but if I am doing a horse,
I am squatting.
If I am doing a front stance I am lunging,
And together with the tightening of the muscles
I am getting a real work out.

The great thing is I don’t have to pay for my work out,
I paid for these forms near 50 years ago,
I bought them,
so I use what I bought.

Almost every day I repeat those forms,
and here is the interesting things.
In the beginning I had to remember them,
work on my memory,
and I did.
But at a certain point they became intuitive,
I could just snap through them,
very liquid.
But I find myself going more slowly these days,
feeding awareness into the forms,
and here’s the odd thing.
When somebody hits me,
they are hitting my energy,
the patterns of energy I have carefully placed in my body.
They are hitting my awareness,
an awareness that makes the body firm and solid,
and quick and fast.
Isn’t that interesting?
That awareness could be mystical?
But mystical comes from mystery,
which merely says you don’t understand something.
But after 50 years of forms I understand them.
When somebody hits me I just run awareness through my body,
to the point where I am being struck,
and energy follows it,
the muscles become hard almost without tensing,
and the fist or foot bounces off my frame.

And,
when I strike back,
I control myself,
because if I put too much awareness in my fist,
the other fellow will be hurt.
But I don’t want to hurt anybody,
I just want to practice my art.
Heck,
if 50 years of doing these silly forms has given me this much,
imagine how much I will from another 50 years!

Here are three arts,

http://monstermartialarts.com/martial-arts/evolution-of-a-martial-art/

including the one with the Pinans in it.

Have a great work out!
Al

A WIN!
Al,
When I do my forms now I find myself working less on visualization and more on listening to what the structure of the form I’m doing has to teach me. Have you ever experienced this? A kind of spontaneous learning by repeating the form over and over just being aware? I am almost certain you have, but I like chatting with you about these things cause you invariably give me something new to consider.
A good workout to you
Justin

“A good teacher protects his pupils from his own influence.”
– Bruce Lee

New Publication: The Book of Five Arts

Newsletter 959

New Book Release!
The Book of Five Arts

Just released a new book:
‘The Book of Five Arts’
The title idea comes from Myamoto Musashi’s ‘Book of Five Rings.’
In this book I detail the exact sequence of five martial arts.
Now some of you have seen some of the material.
There is matrix karate, shaolin butterfly, butterfly pa kua chang,
matrix tai chi chuan and Monkey Boxing.

The glory of this book, even if you have seen parts,
is that it includes graphics and charts
showing exactly how the progression of matrices work.
So you look at the karate matrix,
you understand what the blank spots are,
then you look at the shaolin butterfly,
different blank spots,
and so on through each of the five arts.
By the time you’re done you won’t have any blank spots.
At all.
A blank spot in one art will be filled by a technique from another art.
BUT…
you have to do it.
Fortunately,
it is simple.
If you have picked up the books on Perfect Karate,
or the small book I wrote on the butterfly,
you will know exactly what I am doing.
But you likely haven’t seen the work on Matrix Tai Chi.
Not at all.
Even if you’ve done the video course,
this is quite a bit more linear,
easier,
simpler.
And Monkey Boxing.
Ahhh.
That is my art,
and here is how you get started in it.
You’ll see how the basics come together for a perfect matrix.

The book is 160 pages,
over 300 illustrations.
And it doesn’t just show the matrix of five individual arts,
it shows how they come together to make one art,
the real art,
the real path of the martial arts.

So here’s the Amazon link.
The Book of Five Arts
Make sure you give it five stars.

Have a GREAT work out!

Al
https://www.amazon.com/Book-Five-Arts-Martial-Training/dp/1796218332/ref=sr_1_2?keywords=the+book+of+five+arts+al+case&qid=1550014606&s=gateway&sr=8-2-spell

A WIN!
Al,
I’ve sped through the Shaolin Butterfly, am learning the Five Army Tai Chi Chuan and the Butterfly Baguazhang. It seems to me that now I can look at classical forms and simply understand how to do them correctly. It’s absolutely amazing. The practice and learning process basically infuses a student with the basics to make anything work. To correct the whole of an art simply by looking at the forms and playing around with them. I’ve applied this to many classical forms I learned years ago. Thanks so much for the master key to all the martial arts right in my hand.

Justin H

Knowledge will give you power, but character respect.
Bruce Lee

‘Backwarditis’ in the Martial Arts

Newsletter 956

Going Backwards in the Martial Arts

Have you ever thought about
the actual process involved in fighting?
Most people think it is hit the other guy quicker,
but that is so inadequate
so far from the truth.

You stand and face Bozo Bob.
Bozo Bob has a thought:
hit you.
First:
you have to pick up the thought,
see the technique he is going to use
Then:
you have to reverse the thought
understand the technique from your viewpoint
because you saw it from his viewpoint.
It is reversed from your viewpoint.
You need to reverse it in your mind.

You need to reverse it
so you don’t create a defense that is backwards.
Then:
you have to create the defense…and do it.

Now,
that is the simplicity.
More to it
of course
but that is the simple truth.
So how do you reverse
the thought of his attack
so you don’t make a backwards defense?

In classical karate,
and other arts with forms,
we do the forms.
We practice controlling the bodies,
we practice the defenses for the moves
until everything is intuitive.

Think back to when you first began,
chances are,
most people go through this,
you went through what I call
‘backwarditis’

Backwarditis is when you do things backwards.
The teacher says right,
the students does left.
The teacher says step backward,
the student steps forward.
The teacher says do the technique on the right side
the student does it on the left side.
This is backwarditis.
Teachers everywhere experience it
They blink,
and keep going,
and the student eventually gets over it.

But nobody knows why the student does everything backwards.
Now you know.
The student looks at the attack
and it is backward in his mind
because he is observing somebody else do it,
so he makes a backward defense.
Eventually,
he gets over it,
without understanding
he finally absorbs the data
and begins moving correctly.
Knowing this should help you
when you construct self defenses,
it will help you get over trace backwarditis
and learn new things quicker.
It will help you make the bridge to intuitivity.

Now,
here’s a couple of interesting things.
Arts where the student doesn’t experience backwarditis
are lacking something.
Arts which don’t have forms
are missing the step for getting rid of backwarditis.

For instance,
MMA doesn’t have forms,
any experiences of backwarditis
are quick and fleeting.
The bodies are intertwined,
they are positioned
so that backwarditis doesn’t happen.
BUT…
to be an art there should be backwarditis.
It is a step of evolution that is necessary
lest the student doesn’t experience proper growth,
he doesn’t go through the stages of learning
that are in the martial arts.

Don’t get me wrong,
I am not bashing MMA,
I am just describing the effects of theory
and the teaching method
and what to look for in a student.
Heck,
there are things in MMA
that other arts don’t have.
But we are just looking at the teaching/learning method here.

Anyway,
there are several ‘cures’
things to help the student make the shift
to thinking backwards in his head intuitively

First,
when doing basics at the beginning of class
do them facing the same way as the class.
Then,
doing them facing the class.
Watch carefully,
see who has got the wrong foot forward,
correct him gently.
And keep going back and forth
every few exercises,
facing the students
then facing away from the students.
This is pretty easy and good to do.

Second,
make sure they practice their techniques on both sides,
have them perform their forms on both sides,
and even have them do the forms backward.
And backwards on both sides.
The students will get over backwarditis
their minds will be quick and agile,
will duplicate what an attack is correctly,
and build a defense that is not backwards.

If you want to know something fascinating things about forms
how they are constructed,
and even construct some yourselves,
I recommend the
‘Create Your Own Art’ course
http://monstermartialarts.com/martial-arts/2d-create-your-own-art/

Do be warned,
the videos are poor quality.
You can still see them,
but the quality of video recorders
when I filmed this course
was REALLY caveman.
BUT
the material is spectacular,
and the Buddha Crane book
is even bundled in,
as an example of how to create an art.
There is also a progression of art through Pa Kua Chang
that is simply fascinating.
Really good stuff!

Have a great work out!
Al
http://monstermartialarts.com/martial-arts/2d-create-your-own-art/

A WIN!
Hello Mr. Case. I recently purchased the Create Your Own Art course from you. As I have told you in the past I studied Hsing-i quan. Lately I have been having lots of trouble in my practice. At one time I had what I called the Hsing -i “kernal of power” but as of recently I have been unable to do it correctly. The power was bleeding off somewhere in the transitions between stances. I looked at your book Buddha Crane Karate book and I noticed that you have the foot in an elevated position much like the Seven Star stance of Northern Mantis before the step and strike. Well on a hunch I jumped up and ran in the other room and tried it in the Pi quan form and presto! All the power was back.

Knowledge will give you power, but character respect.
Bruce Lee