Tag Archives: hit hard

What Really Happens When You Hit Somebody

Newsletter 699
The Science Fiction of Hitting People

Good morning!
Lard,
newsletter 699!
That’s almost 700 times
I’ve told you to workout!
Well,
it’s an advice
that is worth the repetition.

Okay, I was reading a collection of sic fi shorts one day,
this was when I was a teenager,
long time ago,
and one story really hit me.

A space ranger has followed a criminal
to a small planet.
There’s nothing on the planet,
more like a large asteroid,
just all bare,
with a couple of boulders here and there.

So the space ranger and the criminal
they get in this gun fight.
And they are shooting away,
and suddenly,
a bullet hits the rock
right next to the ranger.

He spins around,
thinks somebody is behind him.
But there’s nobody,
and then he realizes what has happened.

He shot at the criminal, and missed,
and the bullet went all the way around the planet,
and almost hit him.

The gravity of the planet is just enough,
that bullets don’t fall,
they go into orbit at three feet off the ground,
and they take three or four seconds
to go around the whole planet.

Now,
he’s got one bullet left,
and the criminal knows it,
so he tries a desperate gamble.
He lines up the boulders
he and the criminal are hiding behind,
and shoots directly away from the criminal,
not towards the criminal,
but directly away.

The criminal hears the last shot,
it doesn’t come anywhere near him
and he jumps to his feet to charge,
and the bullet hits him right smack square in the back.
It had traveled around the planet.

Now,
what does this fantastic tale
have to do with the martial arts?

Well,
I realized,
as soon as I read that story,
what it meant.
It meant that if you do something bad,
it will travel all the way around the universe,
and hit you right in the middle of the back.

Karma,
baby.
Payback.
What goes around comes around.
literally.

The thing is this:
You create your life.
If you treat people meanly,
then you will be treated meanly.
If you treat people fairly,
guaranteed,
people will treat you fairly.

Those guys who worked in concentration camps?
They may not know why their lives suck,
this lifetime,
but it is their own doing.

And that guy who lives fat and sassy?
He treats people fairly,
makes sure he pays his workers enough.

Want to know something funny?
I knew this girl who ran a big company.
and the company was a big, fat, rich success.
And I asked her daughter once,
what her mother’s biggest problem
in running this company.

You’d think it would be people who quit,
arguments in the mail room,
a fight or affair,
or something like that.

Nope.
Her biggest problem was remembering when birthdays were.
She was always checking her books,
making sure she didn’t forget a birthday,
a chance to send flowers,
a walk down to shipping and a pat on the back
for a job well done…
and what could she do for her worker?

Do you see how it works?
And it starts with the martial arts.
You learn to fight,
and start choosing not to fight,
and you become aware of compassion,
and the chance to treat people right.

And what’s the alternative?
Being mean.
Treating people badly,
and then wondering why you are always having problems,
man,
its almost like somebody was shooting you in the back.

Don’t turn around, man.
Just look in a mirror.

Oinkley donkey.
I need you to check out this page…

http://monstermartialarts.com/martial-arts/yogata-the-yoga-kata/

You’ve been good,
so it is time to reap the rewards.
Good health,
freedom from injury,
rehabilitation,
best warm up or cool down
in the existence of the martial arts,
in the history of man,
in the history of warm ups and cool down.

And,
past that,
have a great workout!

Al

The Lie of Martial Arts Equipment!

Martial Arts Equipment is a money maker!

When it comes to Martial Arts Equipment, three things are true.

martial arts equipment

See? It doesn’t hurt!

One, the guy wearing it is going to hit harder because he thinks he has to to make his technique work.

Two, your technique will tend to get sloppy.

Three, somebody is making money by selling it to you.

I was training back in 1967, and we never used pads or gloves. Just didn’t think about it. And there were virtually no injuries. The reason was that we learned quickly what a fist felt like, so we controlled ourselves.

One day the head instructor came out on the dojo mat with a bag of martial arts equipment. Here’s some pads and gloves!

So we slipped on gloves, tied on chest pads, wore shin guards, even put on head gear, and we started hitting each other.

I don’t mean sparring, or doing karate freestyle, we started hitting each other.

We were convinced, you see, that we were protected. We could beat on each other and it didnt’ matter, nobody would get hurt.

Well, you know where that lead to. Control went out the window, we started fighting, as opposed to learning how to do Karate freestyle, and I, for one, started breaking bones. Broke a bone in my hand, another in my foot.

But I was supposed to be protected! I was wearing martial arts gear!

My body was protected, but my mind was numbed. I was trapped by a false reality.

To this day I watch as people put on gloves and wear padding,a nd think that they can hit harder, lose all control, and don’t learn martial arts freestyle.

Real freestyle, you see, has certain rules and limitations, and it has to, because there is power in the real martial arts. With gloves and pads control tends to slip, and so the truth is this:

While there is an art to destruction, the true art is in control.

Not can you beat somebody up, but can you control them, maybe even control the situation until there is no fight.

Something to think about, eh?

Anyway, that’s what happens, that’s what happened, when we learned how to do karate with martial arts equipment.

 

Monster Newsletter #322–Forty Master Instructors!

Good morning!
Fantastic morning!
Perfect for working out!
Absolutely perfect!

Now,
I actually have a whole ton of things for the newsletter,
wins,
got a great technique for knife fighting,
some fellow tried to mess with me on the street and some interesting things happened,
but,
everything gets bumped when I get to say…
congrats to our latest Master instructor!

James J. Morrell wrote me a wonderful win,
and here are some parts of it.

Al,
I just wanted to take the opportunity to thank you for the knowledge I received from your Master Instructor Course. I have never before had techniques explained to me in such an in depth, but simplistic way.
My journey in the martial arts began when I was a teenager in the 1980’s. I started as a student of Kang Duk Won Karate. When I turned eighteen, I joined the army and had the opportunity to travel and see the world. I was exposed to several different types of martial arts to include: military combatives, Chinese Boxing, Shaolin Wushu, and Tae Kwon Do. I was never able to progress in an art as far as I wanted to because my job as a soldier kept me moving around. Although my journey has been an “on again, off again” one, I have not given up. I am now a police officer and have continued my studies in the art of Hapkido. Part of my job is to teach law enforcement defensive tactics. I also teach a women’s self defense class.
Your course has opened my eyes and given me ideas on how I can improve the way I am currently teaching. I totally agree with your greatest strategy….
(sorry guys and gals, James discusses the course material itself art this point)
…the materials that you included in your course were great. The manual and DVDs really complimented each other.
Thanks again for all the information. I look forward to taking more of your courses in the future.

Sincerely,
James J. Morrell

Thanks James,
and congrats for being Master Instructor #40.

Wow.
Forty people now know the exact data on how to teach.
And there is exact data.
Listen,
there are so many martial arts instructors out there
and they really know the martial arts.
But the art of teaching is separate from the martial arts.
Two different fields.
And,
I hate to say it,
when you go to school to learn how to teach,
they either don’t teach you the right data,
or it is not martial arts specific.
I mean,
the colleges of today,
with all their physics and slide rules
have no clue
on how to make perfect form
and how to make perfect technique.

They don’t.

It is data that I put together,
and you will see it nowhere outside of my courses.

Well, maybe if you are lucky enough to be studying
with one of the Forty Master Instructors!

Now,
one other thing
of particular juiciness
at least to me…
James turns out to be one of my Martial cousins.
My base art was the Kang Duk Won,
I studied it in San Jose under Bob Babich.
James studied the KDW out in New York!

One of the things I have done is write a bunch of articles about the KDW
and plant them around the net,
so every once in a while it is like old home week.

Interestingly,
KDW
is a unique and rather pure Karate system.
It didn’t come from Funakoshi,
but from a classmate of Funakoshi
and the classmate had studied shaolin.
Makes for a very powerful combination.

One of these newsletters I’ll write a short history on the KDW,
its sort of an eye opener.
Quite honestly,
I don’t think I would have come up with Matrixing
if it hadn’t been for the Kang Duk Won,
and specifically,
Bob Babich.

So I have a bunch of stuff for the next half a dozen newsletters.
should keep me out of trouble.
And,
when you find out about my altercation
you’re are going to know
I need to be kept out of trouble.
Heh.

Well,
this is a shorty,
I have a ton of stuff I have to do,
so I’ll talk to you later,
and James,
congrats again,
and thanks for really making my day.
For everybody who wants
the real truth about how to teach the martial arts,
here’s the link…

http://www.monstermartialarts.com/Master_Instructor_Course.html

Go there and get perfect form,
perfect technique,
and learn how to teach the martial arts.
It really is the only course of it’s kind,
and forty Master Instructors will testify to that fact.

Now go have yourself a great work out.

Al

:o)

PS–if anybody is having trouble getting the newsletter, email from me, or having trouble getting email to me, let me know. There seem to be a few glitches in my email setup, so let me know so I can fix them. Thx.

REMEMBER!

Inside Kung Fu is going to have an article on me. November issue, which is on the stand on AUGUST 24TH!
Feel free to buy five copies, and write to the editor and tell him you want more.
If they get a sell out, and letters from across the country from a wide variety of people,
they are going to do more.

Send me your wins!

The Craziest Person Who Ever Studied Karate!

His name was Bob Hope, just like the comedian, and he studied Karate. Unfortunately, he was nutty as a fruitcake. It was obvious he was nuts because…well, I’m getting ahead of myself. Let me tell the story, and then you can make up your own mind.
We called him Mud Car, because that’s what he had on his license plate. The license plate was on a fortyish delivery wagon. He had modified the beast so much we didn’t really know what model of vehicle it had originally been.
One day he offered me a ride home, I slid into his car and looked into the backseat…a hundred strands of webbing stretched across the innards. “That’s parachute webbing,” Mud Car explained. “I use parachute webbing because it’s the best thing there is for holding the inside of your car together. He turned on the left turn light and we crawled into the rushing traffic.
On the floor and every side of the car fire extinguishers had been clamped.
Mud Car leaned forward and clicked a switch. Nothing happened.
“What was that?” I asked.
“That puts more energy into my tail lights. I’m facing away from the sun, and I want people behind me to be able to see me even though the sun is reflecting off my taillights.” He came to a full stop, looked both ways, checked his side mirrors, looked at his rear view mirror, and crept around the corner into–you guessed it–the rushing traffic.
Now, you may have come to the conclusion, as any right thinking person would, that Mud Car was crazy.
Oh, tip of the iceberg, mon ami.
Mud Car had memorized the times of ALL traffic lights in San Jose. The point of which enabled him to traverse the town without ever hitting a red light. I am not kidding.
And now we get to the juice.
He was terrible at Karate. Couldn’t concentrate properly, couldn’t make his body take the proper positions, and it always hurt to work with him because he had no control and always hurt his partners.
Still, the reasoning went, the guy on the street who attacks me is going to be crazy, so Mu Car, being crazy, is good to practice with.
One day in class he actually interrupted the proceedings to say, “I have a little pain right here, on my shin, it’s just a point, and it doesn’t hurt so much as nag me, do you know how I can get rid of it?”
The instructor looked at me, why me I don’t know…unless it was so he didn’t murder Mud Car. At any rate, I received the full brunt of his rage. “Hit your shin with a lead pipe! That’ll make the pain go away!”
Yes, Mud Car was certifiably crazy not because he was whimsical and quirky, but because he drove everybody around him nuts. I think this is the final argument when it comes to such things.
Now, the point of all this blather.
Mud Car was never promoted to Black Belt by my instructor. The reason is that the pre black belt rankings, called ‘Kyu,’ mean boy. The black belt rankings, called ‘Dan,’ mean man.
It is a statement of maturity. It is a calm peace of mind, an evolutionary thrust of the spirit, and one who has achieved a real black belt has made this statement of maturity. He is different, and people around him always feel the calmness he is spreading. This is a fellow who will always seek a superior solution to the possibility of violence. He is a man.
Mud Car, because he was crazy, could not make this statement. He could not forge his spirit in sweat, and become a calm, reasoning human being. He was just too crazy.
So, my instructor retired, and a new instructor came on board. The first thing he did was promote Mud Car to Black Belt.
Mud Car immediately left the school.
Hey, he got what he wanted, no more reason to stick around.
Now, why did the new instructor do that? Because he knew what would happen, and he didn’t want Mud Car around.
Oddly, I missed the nut. I enjoyed him, and I learned from him. Sometimes he made me crazy, but my crazy was temporary, and when I was on the other side of it…I had learned something.
And, I have always held the opinion that this incident somehow foreshadowed what would happen to karate.
You see, these days people don’t promote people to black belt because they have matured. They promote them because they can ‘fight good.’ They promote them because they had paid enough money. They promote them because they trained in a school of mixed arts and didn’t know what the specific end result of a specific art like karate was.
I guess, in the end, all I can say is…embrace the crazy people, for they are the stock from whom we all come, should we only adhere to the discipline of old time Karate.

If you want to go crazy with through the martial arts, go to Punchemout(dot)com
If you want to go sane through the martial arts, go to Monstermartialarts(dot)com

The Deadly Power Punch Technique From Korean Karate!

This Korean Karate technique is one of the simplest and most deadly techniques in the classical martial arts. As simple as it is, it requires perfect and exact timing, and a number of little elements I’m about to tell you about. Understanding these little points, and practicing a bit, and you are going to have one of the most powerful tools in your martial arts arsenal.
I discovered the technique in the form Pinan Five, it happens right after you execute a crescent kick and low block. You are now standing in a horse stance, and you swing the right arm to cover the left side of the body with a weird, fingers pointed palm block. You then execute a left punch to the left, and that is your power punch.
You can do this move right out of the form, and it will work with plenty of power. But there are ways to tweak it to make even more power, and to make it even more workable. And we want more workable, because we want to understand this technique so well that we can use it on the street.
Have your partner face you, handshake distance away. Have him step forward with his right foot and punch to your face with his right hand. You step back with your left leg into a back stance as you execute a left palm block, this causes your partner’s right hand to pass in front of you, and this presents his body for the counter.
To counter, turn the hips and feet into a horse stance as you execute a right punch to his body. Now, this has got to be snappy, and you have to sink your weight and snap those hips, and you are going to find that this technique, if executed correctly, is going to smash his ribs to splinters. In addition, if you happen to go precise, and this will happen naturally over time, you can stick your fingers into his armpit.
The point that must be remembered is that you must have perfect CBM, Coordinated Body Motion. This means that all parts of the body move at the same time and in harmony. Thus, you strike with a couple of hundred pounds of body weight (assuming you weigh a couple of hundred pounds), and not twenty pounds of arm weight.
In addition, you must set the stance at the exact and correct distance so that your arm is nearly straightened out, only has a couple of inches to extend, when you make contact. If you decide to use the fingers, go slower, and add fingertip push ups to your work outs. If you decide to go deep, you can set your legs so that your punched out arm can sweep him over your horse.
I always found this to be a thrilling technique, quick and easy, and I love the feeling of moving in quick and light and then dropped the deep power into the last snap of the fist. The potential for damage is wonderful, and it is very usable on the street, and can be adjusted or modified as one needs. The official name for this punch, in my system, which is a slight modification of Korean Karate, is The Power Punch, hope you like it.

‘Punch Ups’ Build the Most Powerful Punch in the World!

The purpose of the exercise I am about to detail is strictly for punching power. This is not for getting into that bikini, or flexing in that mirror, this is so you can use that gnarly mitt on the end of your wrist to knock over the fattest elephant you can find. Period.
Most exercises are rather generic things, tune the whole body, maybe isolate a muscle group at best, and they are not designed for a specific function.
This exercise is designed for a specific function, and to define that function, let me ask you something. When you punch somebody…where do you feel the weight?
You feel the weight when you hit the target.
So why do you need to do a full push up?
A push up is like a punch, you extend the arm and support weight, but why support weight all the way through the punch? That, as will become obvious later on, might actually slow your punch down!
Don’t get me wrong, I am not disparaging a complete push up, I think you should do lots of them. They are good for the whole body. But we are talking about the punch here, and we are talking about the working end of the punch. We are talking about the end of the punch where the rubber grips the road, the foot hits the pedal, or, if you will, where the knuckles hit the ribs. Or jaw, or whatever.
That said, I want you to do your push up in the following manner.
Lay on the floor, keep your body like a plank, and push up to six inches from full extension, that is where your punching push, your ‘Punch Up,’ is going to start.
Push up to full extension, lower six inches.
Push up to full extension, lower six inches.
Got it?
Now, you are supporting weight at the exact peak of the punch, the place where the arm has to support sudden impact.
Want to jack it up?
Push that last six inches so hard your body rises six inches off the ground. When your fists slam down you are going to receive almost exactly the same jarring effect as a punch.
Now, a couple of things we want to be aware of.
It is best to do these push ups on your fists, and when you do so, wear gloves. You don’t want to abuse your knuckles, you don’t want to bruise them so that you can’t strike somebody, you want to build them up and use them.
Keep your body straight and like a plank. You will find as you do these push ups, that your core starts to burn. The core is incredibly important. This is the belly wherein the energy center for the whole body resides. All power comes form the core, so make that core strong, and never let it sag an inch.
Remember that it is your shoulders we are most concerned with.
Forearms are cool, as are biceps and triceps, but when you punch something the real shock goes into the shoulders. Think about what I am saying. Do some of these six inch ‘Punch Ups,’ and isolate exactly which parts of your arms take the shock.
You will find that the shoulders are the most important thing in the whole equation.
Okay, now comes the question…how many?
A lot.
I want you to consider something. Does a fellow who is going to run a marathon do fifteen minute sprints? No. He runs all day.
Yes, a punch is like a sprint, but to get the best sprint you are going to have to work those arms like a marathoner works his legs.
Obviously, start out slow, and spread them out over the day, and if you feel any pain at all in the shoulder joint, if it starts to stress, back off. We want to buildup the shoulder, not tear the rotator cuff or otherwise disrupt the working joint.
One thing to remember here is that we are not going for bulk. Bulk can actually work against you. If your arms are big and thick then there is more mass to move, and it takes more time to move more mass.
No, what we are going for here is density. Feel a marathoners legs and you will feel ungiving density. You simply can’t put your thumb into his muscle. That’s kind of muscle you want, and specifically in your shoulder if you are going to have a great punch.
Now, where is that pesky elephant?

The One Thing You Need To Know To Have The Most Powerful Punch In The World!

Power, in the Martial Arts, especially martial arts like Karate or Kung Fu is often measured by how hard you can hit. Thus, people hit the bag and the Makiwara, and they do push ups to strengthen their arms, and…and they are doing it all wrong. You see, there is one critical factor that they are missing, and so all their push ups and punches and other exercises are for nothing.

I want to make a point here…and I can only do that by asking you one specific question? Where, during your punch, do your arms bear the most weight? The answer is obvious, they bear it at the end of the punch, when the arm is nearly extended.

So why do you need to push up your arm through the whole range of motion from the floor? Being strong at the beginning or middle of the punch is not important. Concentrating your work out through the whole range of motion is nothing but a waste.

So, do a work out, make it gentle and general, and build up your arms as a whole unit, then focus your work out on the end of the punch. This is easy to do, you can do it for virtually any exercise. All you have to do it isolate the part of the exercise where the arm is nearly extended, and put weight on that part of the exercise.

Let’s say you’re doing a push up. Do the push up until your arms are nearly extended, then do go to town. Do as many six inch push ups with the arms nearly extended, as you can, fast, concentrating on keeping your belly tight.

Here’s the trick, you need to feel the strength in your shoulders. The impact of the punch, you see, is going to go up your arms and into the shoulders. Thus, it is the shoulders that must become dense and strong.

Make the shoulders thick and dense, and do the exercise at various times of the day, until the muscles of the shoulders become as matter of fact as the leg muscles of a marathon runner. It’s funny that people have never thought of this, and I wonder at it, but it is common sense. I suppose the problem is that people get a general idea of exercise and never actually look at the exact goal they are trying to accomplish.

So do those ‘end of the arm six inch push ups like a maniac. Do them and breath and put your awareness in your shoulders, letting your shoulders grow and grow. This is the way you develop a punch that is stronger than anybody else’s, this is how you have the most powerful punch in the world.

The Cruel Trap Of The Martial Arts And Fah Jing

I’m going to tell you about Fah Jing, and Matrix Martial Arts, and what it really is, but to do so I have to push your face into one of the cruel traps of the martial arts. This cruel trap has bedeviled martial artists since forever, and it really is time to break out of the trap. It is time to find out what holds up the progress of the martial arts, makes them long and hard to learn, and makes them even ineffective.

The cruel trap of which I speak is the lack of adequate language. This trap comes in two specifics, yet is easily broken. The strength to pick up a dictionary, however, is more than a student seems to have.

Many martial arts instructors come to this country, and they don’t always speak the language of the people they wish to teach. Thus, the students are left with memorizing terms which are poorly understood. Thus, the student must learn not just the surface meaning of a term, but the reality behind the term.

The second specific, in this matter of languages, is that ancient languages do not describe a science. But the martial arts are a science, and they must be understood as such. To demonstrate this concept, let’s consider Fah Jing.

Fah Jing means explosive power. But where do you explode from, and how do you channel the energy, and what do you do with it? Simple practice will show you, but it takes ten times longer than it should, and it would take ten times shorter to understand if the language was adequate and scientific.

Pretend the arm is a hollow tube. Take a firm stance and move the tube so that energy shifts the length of the tube and impacts upon the far end. This is Fahjing.

Now explore the physics of the matter. What kind of relaxation is necessary to enable you to move the tube properly, so that energy runs the length of the tube. How is the tube connected to the body, and what must you do with the body so as to best and most efficiently move the tube?

When you get past the misunderstood language, and the terms that might mean something to an ancient culture, but which lack scientific relativity, you will find that tai chi, and other arts, open up like the doors of heaven. It is physics, you see, that will enable you to master the mystical arts, and to truly delve deep into them. It is physics that we study and master when we Matrix Tai Chi Chuan.

Making Aikido Into A Combat Art

One of the most astounding facts in all the martial arts is that Aikido does not work well in combat. The reason this is astounding is because it is derived, to large degree, from Daito Ryu Aiki Jujitsu, which is one of the most combat ready arts in existence. Interestingly, it doesn’t take much to make Aikido into a formidable combat ready art. To understand why the aiki art is not street ready one must understand the founder’s purpose. Morihei Uyeshiba, the founder of the art, designed the art around his enlightenment. This is to say that he designed it for brotherhood, world peace, and love thy neighbor. Of course Morihei had the ability to destroy that neighbor, so he was safe in loving him. The modern Aikidoka, however, studying an art distilled for ‘getting along,’ does not have that ability, and so the art becomes unworkable. Thus, one has to tailor the art, explore it specifically for techniques that do not enter and present themselves as ‘get along’ techniques. In traditional aiki classes the attack is exactly prescribed, and they are designed to feed the flow, and therefore the ‘spirituality’ of the defender. What one should do is, after delivering a flowing attack designed to fit the technique, is apply an attack in a more ragged manner, that is not designed to fit the flow. Thus, the defender must solve the problem of being attacked in more real terms. If an attack is presented, say a lapel grab, with the arms extended, one must explore that attack with the arms bent. Further, the attack must be explored with the motion of the attack to one side or the other, or in conjunction with the movement of feet in all directions. Thus, the defender learns to not just go with the flow, but to make the flow work no matter which way it is flowing. The procedure I am describing here is nothing more than exploring all the potentials of motion, and not just the politely described entry techniques of a zen shaped art. This is the procedure we used in rough and tumble karate schools, and we managed to stay polite, and yet became aware to anything and everything that could happen in a real fight. I have meant many Aikidokas over the years, and the better ones have always subscribed to some variation of this procedure. Many a night I stayed late, after class, after the polite ones had gone home, and explored the nuances and deviations necessary to survival in a real fight. And for any Aikido practitioners out there who object to my opinions on this matter, I suggest they research the Hell Dojo of Ushigome, and other practices of the founder. In reality, with the right attitude, Aikido can be one of the most combat ready arts in the world. It does take an enlightened mind, however, to embrace violence, as well as peace. These, however, are the principles we embrace when we embrace Matrix Aikido.

How Karate Died for Tae Kwon Do

Karate did die for Tae Kwon Do. Let me relate an anecdote, then offer my sacred and inviolable opinion.
My instructor and one of his top students were sitting in the office one day, and two Korean fellows walked in.
“You join new organization, we give you new forms, promote all balck belts one grade.”
My instructor shook his head, and things actually looked a little tense, and then one of the Koreans nudged the other one and looked at the writing on the wall.
Well, actually it was the writing on a business card.
“Kang Duk Won,” he said.
The two bowed and left.
True story.
The organization, actually system, that they were pushing? Was something called Tae Kwon Do.
General Choi Hong Hai introduced Tae Kwon Do to the masses, under the guise that Korea needed its own national art.
Nationalism.
Pah.
Would you study an art designed by Barack Obama?
Shut up and stop laughing. It was a fair question. Sort of.
But the point is this, the good general had his reasons, he needed people to show more fervor for their country, and he used karate, for such was, and to a great extent is, the Kang Duk won.
That’s right, used. He didn’t pursue an art, he used one for political purposes.
Is tae kwon do terrible?
Nope. It can be pretty darned devastating, depending on the students degree of insight and common sense.
Having watched the changes of that art, however, for over forty years, it is not as strong as karate.
Karate has had hundreds of years to come to a focus, to weed out the bushwah, to generate internal power and become zen savvy and deadly as the dickens.
And I am not saying karate is all there is, Karate, Tae Kwon Do, other arts, they are all just stepping stones when you start to matrix your art, as described at Monster Martial Arts.