Tag Archives: ed parker

Martial Arts Reality in Novels

The Reality of Martial Arts in Movies and Novels

The first example of martial arts in this country (the USA) was probably the James Cagney film, Blood on the Sun in 1945. Man, it was a rock ’em sock ’em movie, with a judo match in the end that was gr-r-r-eat!

Before that movie the only other instance of martial arts in the US was that Teddy Roosevelt supposedly took Judo lessons while in the White House.

martial arts novel

The Wudan Assassin and REAL martial arts! Click on the cover!

After Blood on the Sun was ‘Bad Day in Black Rock,’ where a one armed Spencer Tracey used Judo to dispatch some very nasty two armed villains. Quite good stuff.

Somewhere in the late fifties and early sixties people started hearing about Karate. It was cocktail humor, and people joked about karate chopping somebody to death. On chop and cowier…bad guy gone.

And martial arts began making its way into cheap movies. Matt Helm featured a young Ed Parker, a hippie did Tai Chi Chuan in Billy Jack.

But, truth to tell, this was all pretty shlocky. Nobody knew how to film this new beast, and it really wouldn’t open up untilBruce Lee came along about 1967.

Which brings us to novels.

I remember reading ‘Six Days of the Condor,’ before it became a movie called ‘Three Days of the Condor,’ and the villain was so deadly because he had a(gasp) brown belt in Karate.

A brown belt.

The writer obviously didn’t know proper research.

And, to this day, there is little research, and writers are not too knowledgeable about the martial arts.

There have been a few good writers, Eric Lustbader is supposed to have done Aikido, but how much is not known, and then there is the question of whether he was a good enough writer to translate the art to the written page in a realistic manner.

Just a couple of years ago I read a book by Laurell Hamilton in which her heroine knows martial arts, but it is obvious that the author took a few lessons, painted Kenpo as the deadliest martial art around, and then slithered through any real fighting sequences without knowing what she was talking about.

All of the above, of course, is great for me. I’m a writer, and a martial artist of nesar fifty years. I know the techniques, I know the reality of the martial arts, and I can translate it to the written page.

Not to say that I don’t embellish for the sake of the novel. After all, you have to have a scorcher plot, and you have to build things up larger than life.

But, when I detail a Martial Arts technique as it would be used in the reality of a fight, it is fact based. THAT is what would happen if you stuck your finger in an eyeball. THIS is what happens when you lever an arm so that the bone snaps. THAT is the effect of trying to block a samurai sword.

But the thing is not to just have dynamite techniques, but to have a sub theme of martial arts.

In ‘The Haunting of House’ there is a girl who teaches martial arts, and she knows martial arts, and when she uses martial arts, it is with a sword and a hefty helping of the B chromosome. And it feeds the plot, it is important that she know martial arts, it shapes her, and it shapes the plot.

In ‘Machina’ Martial Arts is pivotal. The good guys all know martial arts, and they can link the arts together to create…something else.

But probably the best of these books deals with the Wudan Assassin. Three books, all filled with martial arts mayhem, all pivoting around the abilities of personal combat, and in a way that modern people, even people who haven’t studied the martial arts, can come to enjoy and empathize.

The first book, ‘Hero,’ has a guy down on his luck, a violent sort, whose only redeeming quality is the fact that he practiced martial arts in prison, that he survived prison through the martial arts. This opens the door to an engagement with a religious order protected by…the Wudan Asassin.

In the second book, ‘Assassin,’ the Wudan Assassin makes his appearance, and you finally meet somebody who IS the martial arts. Who can feel things behind him, can sense what others are thinking. It is the highest level of martial arts possible, and it is all translatable to the written page.

In the third book, ‘Avatar,’ The Hero and the Assassin come together. There is a threat to the world that is so great that the Assassin actually needs help!

And all these books have rock ’em sock ’em REAL martial arts.

No posing or posturing, no bad information, just real martial arts.

Heck, there are even training routines that the reader can do himself and learn from!

So, they are all available on Amazon, Barnes and Noble on line, Createspace, and other places. Though you might have to ask the clerk to order it for you.

Here’s the list of books.

The Haunting of House





You might have to sort through the links if you wish paperback or Kindle, but these novels are in both platforms.

Enjoy, and have fun with the real reality of Martial Arts.

Murder and Responsibility in the Martial Arts

James Mitose and Martial Arts Murder!

Excellent work out to you!
Make sure you do extra squats,
and when you do your stretches,
don’t bounce.
Do them yoga style,
just hold and tell your body to relax.
The muscles will suddenly relax,
and you’ll have a better stretch.

It’s mental.
It’s all mental.

came across an interesting bit of info
while I was researching
my latest book project.

The book,
are going to be about matrixing Kenpo.
I’m already done with one,
should be ready to go within the month.

I know,
I’ve always avoided matrixing Kenpo.
Had a LOT of people ask me about it,
but always sidestepped.
But when you’re the only person
in 150 square miles,
then you stop avoiding.

I came across this great bit of data
on one of the people
who caused Kenpo.
James Mitose.

he was a character.
Very zen guy,
real hard core martial artist,
ran a brothel at one time,
and believed in honor.

So he is teaching in the US,
southern California,
and one of his students,
a guy named Nimr Hassan
commits extortion and murder.
The proof is incontrovertible.
whose real name was Terry Lee,
left a footprint on the victim’s back.
He also stated that,
after brutalizing the victim,
he left him alive.
As if that is supposed to excuse him from murder.
It’s not my fault the guy died
because I strangled and stabbed him!
He was alive when I left!’

So Hassan blames James Mitose.
Says Mitose gave him the rope and the knife,
told him to do it.
Court records get obscure,
there’s some bad translations
of Japanese testimony.
And Mitose neglects to defend himself
for a rather simple reason.

He feels responsible for his student’s crime.
He taught him,
so he is responsible.

So Mitose gets sentenced to life in prison.

because he turned state’s evidence,
goes to jail for three years.

here’s the kicker,
when he gets out,
he claims to be hanshi
for the Mitose Family Martial Arts.

this and other great stuff,
is going to be in the books,
but I’m all jazzed,
excited to be working on this stuff,
so I thought I’d share.

having shared,
let me encourage you to check out my books.
They are on amazon.
They include a series on Matrixing Karate
which is based on the Matrixing Karate course.
An encyclopedia of Karate,
from Kung Fu to Matrixing.
a lot of novels.

Novels about bodyguards
who learn martial arts in a prison cell,
and suddenly have the most kick ass sixth sense
you could ever imagine.

Novels about ancient assassins
who save mankind
just because they can.

And lots of other novels.

short newsletter this time,
I’ll yak your ear off next time,
but use the extra time
and do a few extra stretches.
Make yourself feel good and young!

Okey dokey,
go to Amazon,
type in
‘Al Case books,’
‘Al Case Novels,’
‘Al Case martial arts,’
or something like that,
see what comes up.
If you’re a reader,
you’re going to be in hog heaven.
If you’re not a reader,
then do some extra stretches.

Have a great work out!



Ed Parker Finally Speaks on ‘Too Many’ Kenpo Techniques

Does Kenpo Have Too Many Techniques?

This was forwarded to me  by the erudite Tom Jackson. It backs up matrixing, and really says the truth about Parker and the many techniques of Kenpo, and in PArker’s own quote!

The most thorough scientific analysis of Kenpo. Click on the cover to find out more....

The most thorough scientific analysis of Kenpo. Click on the cover to find out more….

You’ll have to search for The Kenpo Journal on your own, but it sounds like a good bet.

Here’s Tom’s email to me on this…

Interesting Quote I found in The Kenpo Journal:

Ed Parker on Techniques:
I teach Kenpo, not for the sake of teaching the techniques, but for the principles involved in them. And even then, these principles must be altered to fit the individual.

The reason I give my techniques names is because there are certain sequences associated with these terms. If I told a student tomorrow that I was going to teach him a counter version to a double hand grab, it’s not as meaningful as when I say I’m going to teach him ‘Parting Wings.’

You’ve got to know how to vary things. A lot of the techniques I’ve worked with, they’re ideas, they’re not rules. At any given time, any of my moves can change from defense to offense, of-fense to defense.

Martial artists, and Kenpo people especially, become so involved in doing the techniques exactly right in such and such amount of time, that they get caught in a pattern that they can’t break. That’s not what they’re for. Specific moves, specific techniques are based, like the ABC’s in the English language or standard football plays.

You have to have a point of reference and from there the combinations are endless and limited only by universal laws, laws that you can’t change.

With respect to the late Mr Parker, after watching those two videos of his “Sophisticated Basics”
his attempt at organizing his material is not easy to grasp. Your matrixing is much better!

He’s got the mandala of circles-inside-circles, which is interesting, and then he’s labels both
blocks and strikes A, B, C, D, E, etcetera, and his main point is that one of the letters can be
replaced with something else. It is kind of interesting to see how physical moves fit into that mandala.

Gotta run bye for now, hope you don’t mind me rambling on a bit.

End of email…and if this is rambling, we need more.

Thanks, Tom…

and to all,

Have you checked out the matrixing viewpoint of Kenpo? This is a complete analysis and matrixing of 150 kenpo techniques.



Basic Karate Form Stands Martial Arts World on Ear!

Basic Karate Form New Method for Teaching old Martial Art!

Let’s face it, most basic karate forms are boring, and couldn’t boredom be the reason many people quite the martial arts early on?

With this in the back of my mind, I decided to create a better basic Karate form. Simply, Iwanted my karate class to be…not boring. I wanted a karate kata that would be fun to do, include all the basics, and actually involve the student.

best karate form

Does your karate form look like this?

Before we get into the form itself, consider that most forms are simply step and block. Step and punch. A piece of a karate move, and not the whole thing. Thus, in addition to being boring, the forms have little value except for indoctrination into how to learn things rotely when in a mass of people.

Can anybody spell first grade?

How about behavior modification? Both good reasons to leave aside long used methods and find a better way of teaching Karate, and the martial arts.

beginner karate

Or does it look like this?

In creating the basic form called ‘House’ I elected to use three basics, the low block, the outward middle block, and the high block. Those are easy enough for a beginner to remember, and real enough for simulated fighting.

I then placed these blocks on a line, and put a punch after each of them.

Thus, there is stance change, weight shift, basics, and the idea that you can actually block and then offer a karate punch, or martial arts strike of some kind.

Now, to tell the truth, Chinese Kenpo, as presented by Ed Parker, had a good idea in their short one basic karate kata. Unfortunately, while the idea of facing all four directions was good, it needlessly complicates the basic function of this kenpo form.

So, in line, three blocks, punches right after each of the blocks, and you have something that means something in real fight simulation, and can be learned quickly and easily, and, here’s an important element, can be upgraded into a more difficult version.

Let’s say you start the student on the first step, a low block and strike, and he can’t quite get it. That’s okay. The martial arts are new to him, and he’s confused. Let him be confused, drill him only on that one move until he gets it, then give him the second move.

Then, drill him on the first and second move till he gets it, his own confusion will keep him entertained, and, finally, he can move to the third move.

Thus, the karate student learns the whole form.

Now, want to keep him drilling? Want to make sure he does the form enough to get the deep down meaning of the moves?

Have him drill it in two man kata fashion.

This is just like one step blocking movements done at the beginning of a Karate class, except that it is a two man form, and the reality of the situation, that is to say the form, is being re-inforced with every single punch. More important, it takes no excessive instruction, you just have the student do the basic karate form and feed it punches.

He will have realization within moments concerning how to do this, and he will be off to the races!

The Karate student thinks he has it?

Ask him to go faster.

Ask him to do it without stepping, in place.

Ask him to do it with weapons! The possibilities are endless, and this simple, basic karate form is suddenly opening doors that are refused to students who learn in the same old same old mass education methods.

If you would like see how this kata works for yourself, click on Basic Karate Forms, if you would like to learn an entire karate system taught in this manner, go to Matrix Karate at Monster Martial Arts.

The Truth about the Ed Parker Mess Up

The Ed Parker Debacle!

Let’s talk about the Ed Parker Debacle.

Before I start,
you have to understand
how much respect I have for Ed.
He did amazing things,
he fell into the same traps
as have all martial artists
for thousands of years.

kenpo karateIn the beginning there was no Kenpo.
There were a few judo schools,
fewer karate schools,
and along came Edmund Parker.

He knew if he put up a poster
with Kenpo on it,
nobody would sign up.
Nobody knew what Kenpo was!
So he called it Karate.
Don’t know if he called it Kenpo Karate,
or just Karate,
but he called it Karate
so people would know what it was
and sign up for it.

the interesting thing was that it WAS Karate.
I have had people argue this point with me,
but I look at the pictures in his very first book,
in which he demos the techniques he taught,
and he is teaching a string of techniques
that if assembled…
are straight from Karate.

as time passed,
Ed couldn’t get more martial arts from his Master,
William ‘thunderbolt’ Chow.
(Chow had studied with Mitose,
so there was great lineage there.)
So Ed started looking elsewhere.
He met and trained with many Martial Artists,
and this undoubtedly effect him.
The most significant influence,
was Jimmy Woo.
Jimmy was a Kung Fu stylist from China,
and he knew his stuff,
and he helped rewrite the Kenpo curriculum.
So we have two specific versions of Kenpo,
with multiple influences.

here is where the problems,
if you wish to call them that,
During the course of his career
Ed evolved five different Kenpo systems.
That’s right.
He would get tired of what he was teaching,
figure out some new stuff,
and change the whole thing.
And he did this five times!

There were probably many things influencing him in this.
There was the fact that he had a black belt in Judo
before he earned his brown belt in Kenpo.
(I don’t believe he ever earned a black belt under Chow)
Then there were his studies with people like
Ark Wong
Haumea Lefiti
Jimmy Woo

He even knew Bruce Lee,
and Bruce was sure to have had some sort of influence.

And then there were things like
adjusting to sales contracts
introductionof protective gear
and other arts and people we know nothing of!

So Ed Parker was a genius,
and he put together a massive system,
a system that evolved five different specific times,
it was all a put together,
and a re-put together,
and a re-put together,

no disrespect here,
everything in the martial arts is a put together!

We just happen to know the specifics of Kenpo and Parker.

here is the problem with put togethers…
they don’t always jive.
They tend to follow specific concepts
that the founder liked,
but they don’t always fit together.

you can thread from one technique to another in kenpo,
but that is serendipity.
Not a plan.
But an evolution of opportunity.

And that is true of ALL arts!

I tried to Matrix Kenpo,
I tried hard.
I collected all the systems of Kenpo that I could.
I had videos and books
and various instructor manuals from schools,
and my own notes from when I studied Kenpo.
And I tried to make sense out of it,
and it didn’t work.
I just couldn’t do it.
To be fair to me,
I had managed to matrix Karate,
but I was still evolving,
and I didn’t understand how many arts and influences
were in a thing like kenpo.

I could matrix kung fu systems.
But they had been around for thousands of years,
and they had been ‘shaken out.’
Evolution had shaped them into ‘closed combat systems.’
They were sets of techniques
that resulted in specific body and personality changes,
and even zen states of mind,
and so on.


the big breakthrough came
while I was doing the research for Blinding Steel.
Or what I call Matrix Kung Fu.

I describe the full sequence of events
on this page


but let me say now,
that there was a process of elimination.
When I had matrixed enough other arts,
and saw what was left,
the blinders came off,
the lights went on,
and I figured it out.

I didn’t want to matrix Kenpo.
Among the reasons was the simple fact
the system was big and unwieldy
and I felt that the concepts of the martial arts
were better presented in the string of courses I had already created.

Kenpo would have been doing everything over again,
except that I would have been separating everything
into kenpo styles of the arts I had done.

I just didn’t want to do all the work over again,
and slant it towards Kenpo.

That said,
Kenpo can be matrixed
if you just do a few courses,
Matrix Karate,
the Master Instructor Course,
Matrix Kung Fu.

Mind you,
it is probably choppier than official Kenpo,
but it will include all angles and potentials of motion.
But it is much more to the point.
Not the endless variations,
not the mystery of what to connect to what,
but a simplicity of a body and art
defined exactly and correctly.

If you like that notion,
if you are a kenpo stylist,
you should check out Matrix Kung Fu.


that all said,
if you click on the Matrix Kung Fu link,
you get to see the new website!

have fun,
see you there,
and have a great work out!


zen martial arts

Your Martial Art Doesn’t Work The Hells Angel Said

Close Combat Self Defense

The Art of the Hard Punch!

I had studied Chinese Kenpo Karate, an Ed Parker system, for two years. I was an instructor in my training hall, and I had written the training manual for my school.Then I ran into an Outlaw Biker, a Hells Angel, to be specific.

The story actually started when the hamburger place I was working at hired a geeky looking fellow. I wasn’t too impressed with him, but then one day I saw him kick a wall. The wall shook like the 1906 earthquake had started all over again, and I knew that he knew some kind of martial arts.

So I got to know him, and he said he studied Kang Duk Won Korean Karate. He said he didn’t know it well, which I found hard to believe because I had seen him kick a wall harder than a donkey kicks a pervert. He said, however, that his brother knew a lot more than him, and let’s go talk to him.

So that night, I think it was a Tuesday, we went down to a house in Sunnyvale to meet his brother. As we pulled up Alex said to me, “I should probably tell you that my brother is a Hells Angel.” I blinked, but, naive me, heck…I knew Kenpo, right?

His brother was a couple inches under six feet, a little shorter than me, but he had the outlaw look in his eyes. We talked martial arts for a while, and then he boldly stated, “Your Martial Art doesn’t work.” Then he wrapped two of the gnarliest fists I had ever seen into my shirt front and told me to work my first technique on him.

I began to move. I held his fists in place with one hand and brought my forearm up to break his elbows, I struck his wrists with my nerve paralyzing downward chop, and when I went to chop him in the neck he tossed me through a wall. Yes he did…all the way through the wall.

He just grinned and extended a hand to help me up, and then he told me to grab his shirt front. I did, and he showed me the self defense technique that they practiced at the Kang Duk Won. He reached over and popped a fist into my chest so hard that I went through the wall again.

This is a true story, and being tossed through a wall twice changed my life, definitely changed the way I was learning martial arts, and prompted me down the road to other martial arts and how to really make them work. I spent over a half dozen years at the Kang Duk Won Korean Karate school, worked alongside all manner of people, including hells angels and other outlaw bikers. Included in my education was why a martial art doesn’t work.

The things that martial arts add to their martial art, the slant towards tournaments and making money, there’s no end to the tricks that have screwed up the art. That’s why I came up with Matrixing, so martial arts could fix all that kind of stuff. Click to Monster Martial Art and see what I came up with.

The Three Kenpo Techniques That Can Save Your Life In A Street Fight!

These three kenpo techniques-and you can develop them as taekwondo techniques, or karate techniques, or whatever–will help you survive any attempted mugging. They are quick, they are nasty, and the are built so that you can be the one that walks away. Just don’t use them unless there is a real threat to your life!

Be the winner!

To be sure, I developed these self defense techniques in karate tournaments a few decades ago. They can be used in the ring, but only with proper control. Use them on the street however, and you must use them without holding back.

The first technique is to break the fingers right at the beginning of the fight. Many people will have open hands, not always, but enough to where this technique will really work. So when you close the distance, assuming you are not kicking first, you must strike down on his fingers with a good, quick fist.

If you can break his fingers he will have second thoughts about attacking you–injuries do that to a person. In his head he will be going, ‘you mean I’m going to get hurt?’ And if he does continue to fight he will have one hand that isn’t worth much.

Second thing, goes right along with breaking the other fellow’s fingers, is to push his arms down. Force them down, trap them so he can’t use them, and you are going to have a heck of an advantage. This is what Bruce Lee used to do with his ‘Straight Blast.’

Third, you want him to blink. This fits right in with the shooting motion of the hands as you move into him and break his fingers and trap his hands. If you can shoot the fingers all the way to the eyes, and actually strike the eyes, then you are going to be fighting a fellow who can’t see. That is going to be a definite advantage, eh?

But even if you don’t manage to blind the attacker, if he blinks and thinks backward in his mind, then he will already be halfway to losing the fight. He will have gone from attacking you to defending himself. A mugger going backwards is not nearly the threat as one who is aggressively moving forward.

To summarize, the points in this article are break things on the way in, push his arms down, and make him blink or blind him. These three strategies should be the start and heart of any good defense if you want to save your life. So if you practice these karate techniques and I certainly don’t mind if you call them taekwondo techniques or Kenpo Techniques-you won’t be the loser in a street fight!

kenpo techniques

Hey Mate! What’s Yer Kenpo? Eh?

Maybe you remember that great part in Enter the Dragon where the bad guy asks ‘What’s yer style’ of Bruce Lee? As over the top as that statement appears, it points up the differences of arts, and how confusing such a thing as lineage can be. In no art is this as true as in the art of Kenpo. Check out the video, then I’ll tell you about the real history of Kenpo.

Many martial artists think Ed Parker created Kenpo, but he actually only popularized it. And, to be honest, he added to the confusion of the art. He had something like five different versions, and he drew from Karate and Kung Fu and whatever happened to strike his fancy.

Kenpo began in Japan. There is some confusion as to the correct spelling, some people saying Kenpo, and some saying Kempo. Kenpo usually refers to martial arts stemming from China, and Kempo refers to the more Japanese oriented arts.

There is some confusion on this point as there is not agreement. Further, there is not always common lineage. That said, Kenpo, although believed to mean ‘Fist Law,’ is actually ‘Quanfa,’ which means Kung Fu.

The main branches of the Kenpo in the United States come from Master James Mitose. Mr. Mitose is sometimes a controversial teacher, for he was convicted of murder and extortion. He served his sentence in Folsom Prison.

Mr. Mitose taught Master William Chow, who taught Ed Parker. Mr. Parker, as has been described, popularized the art of Kenpo. Students of Mr. Chow include Adriano Emperado, Ralph Castro, Sam Kuaho, and others.

Names of the arts taught by these people (and others) include Shaolin Kenpo, Kajukenpo, American Kenpo, Kara-Ho Kempo, and so on. There are a legion of secondary students. Kenpo has also continued to grow as an artform, drawing from many other arts for techniques, forms, applications, and so on.

Though Kenpo grew fast, and though the lineage is sometimes in a mix, as is the art itself, there is much value in it. Many people get their start in the convenient ‘Strip Mall Dojos,’ and then branch out. Still, to define the true kenpo, and to list the roots and influences can be a daunting task.

If you want a thorough and scientific analysis of Kenpo, to the tune of 150 techniques broken down and fixed, take a look at How to Create Kenpo Karate.

The Empty in the Empty Hands of Karate

empty hand technique

Still the mind and expose the soul!

Karate means Empty Hands, and there are several layers to this meaning.

One meaning, as expressed by Ed Parker of Kenpo Karate, is that you hold no weapon.” I come to you with only karate, empty hands. I have no weapons, but should I be forced to defend myself, my principles or my honor; should it be a matter of life or death, of right or wrong; then here are my weapons, karate, my empty hands.”

This is a fine sentiment, a good statement of honor, but it doesn’t get to the heart of the real empty hands that Karate is.

The original name of Karate was Naha-te, which meant ‘Okinawan Hands.’ It was designed by the Imperial Bodyguards to protect the King of Okinawa. Interestingly, the name was changed by Gichin Funakoshi, who is considered to be the father of modern Karate.

The reason for this change becomes obvious as one digs into the art, and finds some particularly zen concepts within.

One must become silent within while doing the art. Silence in which one watches ones opponent. Silence, which presages and enhances the energy to be generated. Of course, while having much depth, this technical necessity for silence leads one to the real meaning.

If one is silent, one has stopped the mind from chattering. One focuses on an opponent, stills all distractions, ignores all outer movement, ignores all inner thought, and only focuses, and here is the true meaning.

How often do you have thoughts?

When one is reading a book and loses all sense of time, when the world goes away, the mind has been suspended. Now immerse yourself in the chaos of the world, but so deeply that all distractions go away, and there is nothing but you.

Now do it in the middle of chaos.

There is the zen of it all, and there is the point of Karate, and other martial arts, and there is the empty that you seek through the empty hands of Karate. If you wish to know more about this concept, but in modern, understandable terms, check out the free ebook on Matrixing offered at Monster Martial Arts.

Ed Parker And Bruce Lee Weren’t Really Nice Guys!

I always take delight in pointing out that people like Ed Parker and Bruce Lee were bad people in the martial arts. People always get upset with me and even want to bodyslam me and teach me a lesson. Then, when I tell them what is really what, they can’t do anything but mumble a lot.

Ed Parker apparently never made it to Black Belt in the system taught by Thunderbolt Chow. Heck, halfway through teaching his students, he had to go home to Hawaii because he ran out of material and needed more. And, Chow told him no.

So he made up his own martial arts, hired a kung fu fellow to help make up new patterns and techniques, redid his system (five times), and so on. The result was that he was giving out high degree black belts, hosting tournaments, inspire the starting of whole chains of schools, and some people hold that he was really only a brown belt. And the whole world was fooled into accepting him as the grand poobah of Chinese American Kenpo, and hardly anybody but a dedicated Kenpo practitioner knows where it all came from.

And if you think Ed Parker did some bad things, wait until you consider Bruce Lee! Bruce ‘The Little Dragon’ Lee apparently didn’t finish his Wing Chun training. He was apparently involved in the street gangs of his native country and his parents finally had enough of his bad ways and sent him to cool off in the United States! In the United States, though he hadn’t completed his Ving Tsun training under Yip Man, he started teaching that martial art to whoever wanted to learn.

Not knowing the whole wing chun system, he began bolstering it up with studies in boxing, fencing, and 24 other martial arts. Yes, he was a sponge, but he was teaching Kung Fu outside his community, betraying his race (according to some), and teaching stuff that went beyond the classical martial arts. He was teaching a wild eclectic Jeet Kune Do system that went far beyond the classical forms training of the time.

The end result of all this was a fight where nobody won (Wong Jack Man), and then he throws it all away to try and make it in Tinsel Town! Is that the mark of a dedicated martial arts innovator? Or is that some unbalanced wannabe giving it all up for fame and money?

Now, it is time for this writer to fess up. Most of you readers know what I am doing anyway. I am engaging in a little yellow journalism for sarcastic sake.

Ed Parker, Bruce Lee, and other true innovators studied sufficient in the classical martial arts to know what it was, then they chose, for their own reasons, their own directions. They then did better than their teachers, and expanded the field of the martial arts to the benefit of all. Yes, Bruce Lee and Ed Parker were treasonous bad guys, as are all true artists, as need to be anybody who wants to go beyond same old same old training methods and delve into the true martial arts.

Want to be a founder in the martial arts? Want to develop your own art and discover the truth that Bruce Lee and Ed Parker uncovered? Head on over to Monster Martial Arts.