Category Archives: Uncategorized

The Essence of Bruce Lee’s Jeet Kune

I wrote

a couple of newsletters ago

about the essence of Bruce Lee’s Art,

Jeet Kune Do.

Let me expand just a bit on that.

Bruce was concerned with the initial point of contact,

the entry into the fight.

So he figured out that there were five places

where you could ‘attack an attack.’

And that one concept

really sums up

The Way of the Intercepting Fist,


You can interrupt an attack before it starts,

you can stop an attack on the way in.

You can attack and attack at the point of contact.

You can attack when the attacker is on the way out.

You can beat an attacker after the attack.

Obviously, each one of these points

has certain considerations.

Number five, for instance,

attack after it is over.

That’s like saying start anew,

but i fully understand Bruce putting it

with the five points of attack.


his attack could be summed up 

with three steps,

kicking, punching and kneeing/elbowing.

So his basic drill was


punching the pads on the way in

and closing for the knee elbow.

Now this is simplicity,

and it is genius for its simplicity.

So where do I differ from him?

I analyzed lots of arts like he did,

but I decided the essence of the martial arts

was not to obsess on attacking.


you have to throw the punch

or do the throw,

but you should see it coming

before it happens.

This idea,

seeing something before it happens,

was a product of the karate style I studied.

It’s very zen.

I often wonder 

if Bruce had studied Karate,

I mean in a ritualistic setting,

he would have come up with similar idea.


But the point is this,

I decided that the time to handle the attack 

is when it reaches a certain physical point,

and that point would be when it enters ‘slapping’ range.

I structured Monkey Boxing around this idea.

Don’t charge in a fight,

rely on the sla[ping distance.

Part of it was that I’m 6 foot and 200 pounds,

so I encountered smaller guys

who were faster.

When I stopped trying to get them,

and relaxed and waited for them,

then I started winning.

I was no longer the big ‘sitting duck,’

but a guy who’s punches they ran into.



there are many different ways

of looking at this matter of fighting.

Bruce isn’t right or wrong,

neither am I.

We’re just people with strategies,


and preferred methods.

And the real point is that you

have to look into each art

and play with the techniques

until you understand the concepts,

then put what works for you together.

The martial arts are not a set in stone methodology.

They are a changing, adapting tactic.


obligatory ad…

My method.

amongst all my other studies and methods.

It sets you up for weapons, hands and feet and takedowns.

Check it out.


one last thing…

I get wins from people all the time,

and ometimes I like to share them,

hope somebody else’s wins 

can inspire oyu.

So here is Justin Harris…

I just had a hell of a workout with my Matrix Karate forms plus House 1, House 2, and Moon form. The interesting thing about a matrixed form is how well it stays in memory. I hadn’t practiced these in a while but I busted em out today and let me tell you they are so natural and intuitive, they just flowed right out of me. I can’t remember many classical forms I learned years ago. But the interesting thing is that the logic of a matrixed and organized form sticks in the mind and body better than random stuff. Not saying classical forms are bad, I do quite a few of them sometimes but logic and a clear sense of how to make the art True makes things so much easier. 

Many thanks!

Sifu Justin Harris

Dragon Palm Tai Chi and Kung Fu

Thanks, Justin,

I appreciate the kind words,

and I love it when Matrixing works for people.


have a great work out!


And don’t forget to check out the interview


I’m always pushing my novels,

did you know I write other stuff?

If you want to know the truth about government,

you will find some startling matrixing going on in



Congrats to the latest Master Instructor…

Mr. Francisco Sierra de la Rosa

Here’s his win…

In my case, being a person who already practiced martial arts before, both Chinese and Japanese styles, the concepts I was looking for were not so much technical concepts as the possibility of learning elements related to teaching, body structure, and the science behind the movement of the body when practicing martial arts.

I consider that in the course there are really useful and important tools when it comes to martial arts and their application, very important is the lesson on grounding and how it affects the movement of our body and the ability of this to relate to an opponent.

Another concept very well treated in the course is the explanation to the student of concepts such as the generation of energy and the importance of dantien … or at least a simple way to understand the Chinese teachings on how force works.

I consider that one of the most interesting elements that I have learned is the importance of angles in martial arts, it is true that this concept I had dealt with before, almost without realizing it, but not with this clarity, applicable to different situations.

In short, if we are able to combine our physical structure, with the world around us, we find the practical application of lines, angles, circles and elements that undeniably build the world, the result of this I consider these concepts of the most important during learning in the course, and applicable in all systems that someone works, with their differences and details of each art.

Thank you, Francisco, and well done!

He’s really pointed out three crucial items.

teaching, body structure and…

the science behind body motion.

Teaching is easy to understand,

take something from your mind

and put it into your student’s.

But…so few can do it.

Body structure is another bug a boo.

It is crucial,

but nobody understands the six secrets

that will make ANY martial arts technique work.

The big item, however,

is what is behind motion.

Would you like to know what I was thinking,

when I wrote about 

what is behind the Martial Arts?

It’s real simple,

but unless you get it,

you don’t understand what is behind motion.

The best way to explain this is this…

You are looking through binoculars.

Who is looking?


The binoculars are but a tool.

Okay, you are looking through your eyes.

Who is looking?


The eyes are but a tool.


I have said everything,

that is the secret.

And to understand the martial arts,

the universe and life, 

all you have to do is understand one thing:

Who are you?

Okay, obligatory ad…

The Master Instructor Course.

All the secrets

easy to understand,

easy to teach.

You’re welcome.



And don’t forget to check out the interview


I’m always pushing my novels,

did you know I write other stuff?

If you want to know the truth about government,

you will find some startling matrixing going on in


Getting Rid of Reaction Time

I had the most interesting letter the other day,

the fellow described his problem like this…

‘When I freestyle

these young guys dart in and punch,

then get out before I can get them.’


who among you hasn’t encountered this?

And it points up to a truth of the martial arts.

The purpose of the martial arts

is to deliver a force or flow

without receiving a force or flow.

In other words,

dart in and hit,

then get the heck out of Dodge

before you get hit.


what is the cure?

I know,

a lot of people will say,

‘train harder!’

And they are right,

but there is something else you can do,

that will make your training more efficient

and get you there faster.

Consider what time is.

I think I mentioned this a newsletter or two ago,




time is used to measure distance,

or how fast you can go from point A to point B.

So these guys who are darting in and hitting

have ‘faster distance.’

I know.

It’s weird,

but here is the secret.

When people launch strikes,

they punch to where the person is,

and that is a HUGE mistake.

They should be punching where the person will be.

Think about it,

if you punch to where he is,

by the time your fist

travels from point A to point B,

the opponent has moved from point B to point C.

Your fist whistles through the space

where the fellow was.

And he hits you,

darts out,


He gets the point

and you get the frustration.


let’s look at this problem a little.

The problem is not that he’s slow,

or that he needs oodles of training,

it is that he is punching to

where the fellow is when he gets hit by him,

and by the time his punch gets there

the guy is gone.

This is called reaction time.

And the secret of the martial arts is that you must train

until you don’t have it.

You move when he moves,

not after he moves,

and that means not to where he was

when he punched you.

I know,

it seems complex.

But if you think about it for a while

it turns really simple.

So here is what this fellow should be doing,

anticipate where his attacker is going to be

and punch there.



what a wonderful world.

What it means,

the function here,

is that you punch when the guy is moving forward.

Not when he sinks his weight and punches,

and certainly not when he is darting out.


this is incredibly simple,

but it hinges on something that nobody does.

Nobody actually looks at what they are doing.

They get in the game,

they build reaction time,

and they don’t lose reaction time


Watch some people freestyle.

Study them, and see if you can tell

when they are going to strike.

Do they bounce a certain way to set up?

Do they dip their shoulders?

Do they sink their weight?

Do they shift the focus of their eyes?

There are a THOUSAND tells (hints, clues)

as to when a fellow is going to move.

So if you take the time to LOOK at somebody,

and learn what the ‘tells’ are,

then you can punch when they move in,

and they will,

at best,

run into your fist.

At worst,

they will become gunshy.


they are darting in because they don’t want to get hit,

which is to say they are scared of getting hit.

On some level,

they are scared,

and you attacking without waiting

is going to rock their boat.


a last word on this…

watch a boxing match,

or an MMA match where the opponents are into punching.

Study the moments

before the knock out comes.


and you will see the guy who is going to lose

get tired,

or in some manner…

stop looking.

That’s the proof, right there.


where did I get this idea?

From freestyling for over 50 years,

and I wrote a matrix for timing,

which is a matrix for distance,

in Matrix Kung Fu.

But the course is not about time and distance,

it is about jointlocks and takedowns and such.

But when I put these things together

I was faced with the problem of developing entries,

and that’s what started me on the path

of figuring out what to do 

with the simple equation…

time is distance.


here’s the obligatory link…



have yourself a great work out!


And don’t forget to check out the interview


I’m always pushing my novels,

did you know I write other stuff?

If you want to know the truth about government,

you will find some startling matrixing going on in


The True Path of the Martial Arts

In the next couple of months 

I’m going to be rewriting the website.

There are a lot of reasons for this.

I basically built Monster Martial Arts

as I progressed as a person.

This resulted in a specific path.

A True Way.

A method that works,

ties all the martial arts together,

and gets the student there FAST.


I was just plugging in stuff as I did it.

No rhyme or reason,

just putting it up 

and moving along

as fast as I could.

The result is that Monster,

while enlightening,

doesn’t present the path as I envision it.

So I’m going to fix that.

Following is a graphic that I will use

to restructure the website,

and present the art in the correct order.


the way this works is simple.

The boxes on the left side

are the arts in order.

The boxes in the middle are the courses 

specific to the arts.


you would simply do the arts

as I have listed them in the middle boxes.

The box on the right

are supplementary materials.

I will be drawing on those as I see fit,

as they fit into the line up of arts and courses.


there is much room for jiggling and joggling.

For instance,

just to name one specific,

which should come first?

Tai Chi or Monkey Boxing.


Monkey Boxing would be the first.

But culturally,

Tai Chi should come first.

So I chose my order of arts,

but that doesn’t mean you are bound by it.


what about weapons?


it is at the end,

but we all know that weapons

can be plugged in anywhere.

So you can do the arts in any order you wish.

Although I always recommend Matrixing first,

as that is the core of the logic,

of the science,

of the martial arts.


that is what I am working on,

and I will keep you posted,

and even set up a dummy site first,

and invite you to go through it

and offer comments and criticisms as you wish.


I know I’m not giving you

the secrets of the universe this time,

although one could say that offering 

a completely sane pathway for the martial arts

IS a secret of the universe,

but stay tuned.

The pearls are coming

so don’t be swine.


that said,

here’s a little fourth of July gift for you.

I wrote this back in 2002,

and I put it on almost every course,

and it has even been pirated

and put on the internet,

and I never bothered invoking copyright

because it is so valuable.

The definitions illustrate matrixing,

and highlight the real science of the martial arts.


obligatory ad…

Got an injury?

Want to get more flexible?

Try this…


have some great fire works and…


Have a great work out!


And don’t forget to check out the interview


Have you checked out my novel?


Supercharging Karate Strikes

There is one drill

I have never seen anywhere else.

We used to do it in the Kang Duk Won 

back in the sixties,

and it was part of Pinan Two,

and other forms,

but it has disappeared from classical karate,

one more example of the ‘dumbing down’ of the martial arts.

We didn’t have a name for it,

and I just call it ‘supercharging.’

It is used to increase the power of a punch, kick, etc.


do it for a while

and you’ll totally understand and have chi power.

So here is a clip.

If the video doesn’t show up in this article/newsletter,

Put an H in your browser, then add the rest of this link…


Once again Apple refuses to talk to other computers, so I had to list it this way. Sigh.


the way this technique works is simple.

You simply raise your leg

then stomp your foot as you strike.

The mechanics behind it are equally as simple.

Weight equals work equals energy.

(Wt = Wk = E)

This is why you do low stances,

so you ‘feel’ more weight,

and have to create more energy,

which energy can be directed into your strike.

But stomping the foot

(and not so hard that you damage your foot)

creates a quick shot of power,

the tan tien works harder,

more energy goes out,

and you simply synch the energy explosion with the punch.


instant ‘chi power.’

Now, as I said,

it is in parts of the classical Pinan forms.

But you won’t see it today.

I have examined virtually every example

of pinan two on youtube,

and it isn’t there.

The technique is about the 5th move in the form.

You have just done the side to side blocks in the beginning,

and you are about to do a simultaneous block and kick to the rear,

then turn 180 degrees and do a knife block to the front.

In the modern version

the student simply turns and takes a stance with a knife block.

In the real version

you kick,


you turn 180 degrees

and stomp the foot as you knife block.

It was hard to twist 180 while you were stomping,

but it taught a higher degree of body control.

There were other examples in other forms,

other ways of doing this ‘supercharging,’

and I have developed it over the years.

As you will see in the clip,

I use it for chops and punches and kicks.

The clip is from the course I put together.

The Nine Square Diagram R & D course.

That course is around 180 video segments.

It is a monster,

and it is FILLED with things like this.


if you’re unsure,

it is a lot of money to invest,

you can always check out one of the other courses on the site

and make sure it is what you want.

If the link doesn’t appear correctly,

put an H in your browser, then add this…


Here’s the link…


since I have told you the secrets of the universe,

and done the obligatory advertising,

there really is nothing more to say,


of course…



And don’t forget to check out the interview


Have you checked out my novel?


Destroying a Karate Stance

Good morning!

I was out driving

and came to a stork crossing.

So I had to wait.


While I was waiting I got out

and duplicated the storks motion.

Tried to figure out how

I could make a martial art out of it.

Nah. I’m just kidding.

Already been done.


I believe in physics more than animal motions.

Which brings us to today’s enlightenment.

Have you ever heard of 

shiko dachi

It’s sort of like Kiba dachi,

a horse stance,

but the feet are turned out 45 degrees.


Here’s a graphic I took from The



this stance is famous,

used in Goju a lot,

people swear by it,

tout it’s virtues,


it points up how F’ed up karate can get.

Look, the physics of the matter are simple.

The purposes of the stance are two fold.

To grip the ground,

or to launch from the ground.

Examine the feet,

the arches of the feet are necessary for gripping.

If you turn the feet out,

as in shiko dachi,

it destroys the ability of the foot

to grip the ground.


it splits the intention.

Your knees are pointed in two directions,

but karate,

or any good martial art,

is based on the idea that the body must go

in one direction.

One direction and one intention.


look at the drawing on the right.

The lower back is bent.

The feet are pointing out,

which necessitates the hips moving in a certain direction,

which causes the back to bow.

But the back is supposed to be straight in karate.

It transmits energy better when it is straight.

So the point is this,

doing Shiko dachi destroys your balance,

ruptures your body mechanics,

and can even hurt the arches of your feet.

Yet people swear by it.


when you examine various writings,

looking for a truth behind Shiko Dachi,

you come up with gobbledegook.

One fellow made a remark that

shiko dachi softens the back.

And he said it like that is good.

And he said it like it makes sense.

When it makes no sense at all.

What the hell is ‘softening the back?’

Another fellow claimed Shiko Dachi is a powerful stance,

then he showed all sorts of applications.

But his applications weren’t based so much 

on the power of the stance,

but on edging his body inward to upset balance.

Yes, the stance appeared to work,

but it was really the ‘body bump’ that worked.

And every application he did,

it looked awkward,

and would have looked better,

and worked better,

if he had used a classic horse stance.

The long and the short of this is this…

Shiko dachi is not a good karate stance,

and shouldn’t even be included with karate stances,

except to show how a stance shouldn’t be done.


as I said in the beginning,

experts swear by it,

legends taught it (Yamaguchi, among others)

and it is obvious that they were doing something cool,

something maybe even based in other practices

than the martial arts,

and they had



don’t believe me.

Try it for yourself.

Learn the physics of the body,

apply shiko dachi,

and see if you come to the same conclusion as I did.

Poke around TheMartialWay website,

they have a lot of good stuff,

it’s not all shiko dachi,

but you will find a lot of stuff written on shiko dachi.


just a friendly disclaimer,

I post this analysis not to bad mouth anybody,

but to educate.

Nowhere do I get personal,

everywhere I talk about the structure of the body,

the intention of the spirit inside and outside of the body,

and so on.


obligatory advertisement,

if you want to learn the real and actual physics of the body

they are in 

The Master Instructor Course.

I did that course in 2007,

have sold thousands of them,


has ever proved me wrong.


only two people have said

they knew the stuff on the course.

But both of those guys agreed that my course

was superior in teaching the concepts.

Here’s the link…

Master Instructor Course


 I’m thinking about that stork I showed you earlier.

Maybe I don’t believe in mysticism,

but I sure believe in dinnertime.

Can you dig it?

Kentucky Fried…Storks!

Have a SUPER work out!


Here’s the link again

And don’t forget to check out the interview


Have you checked out my novel?


Understanding Focus and Chi Power in the Martial Arts

The Direction of Energy in Your Arm in Karate

I was standing outside the other day,
the wind picked up,
really howled.
The sky got REALLY dark,
and the rain came.
here is the weird thing,
the rain was so light,
but more than a mist,
and it was striking me,
but it was so hot,
and the wind was so powerful
that i was standing there,
getting wet,
and drying off as fast as i got wet.
After five minutes of this being rained on
I wasn’t wet.
I’m having a good time in Florida.

I’m going to talk about energy,
and it might get weird
but that’s good…
if you can handle it.
after a lifetime of martial arts
I’ve sort of exhausted the normal,
I’ve seen and experienced all the stuff
people normally see and experience,
and so,
I tend to look a little deeper.
I don’t see the muscle and blood,
I see the angles and dimensions,
and now I don’t see the angles and dimensions
I see the direction of…stuff.

you’re warned.
Let’s rock.

In the beginning I was told to tighten my whole body on impact.
I read a bunch of books
and the concept was called ‘focus.’
But, the interesting thing,
while focus was described by tightening the whole body,
the stuff I was reading said focus was not physical,
but mental.
it was energy.
Over the decades I realized a few things.

My instructor didn’t say ‘focus,’
he never used the word ‘focus.’
He said…


So what is the difference between focus and loose tight?
I didn’t know for the longest time,
but I did remember that my instructor moved like a whip.
Even with full power,
he delivered it in ‘whip’ fashion.
easy enough to figure that out.

But he didn’t tighten his whole body on impact,
he only tightened his fist.
Which was weird,
and sort of went against the concept of focus,
as I understood it.
at least was different.
Sort of.

I’m a writer guy.
My best friend is a dictionary,
so I started looking up things like ‘focus,’
and ‘energy,’
and ‘power,’
and things like that,
and I found out something interesting.
Nobody understands what energy is.

There’s different fields of physics,
electricity and hydraulics and nuclear and so on
and each has their own way of expressing energy.
in electricity we have
watts and amps and volts and…
and every field has that ‘precise’ confusion of terms.
Drives you crazy sorting through them.
I mean,
when a car has 500 ‘horsepower.’
what does that really mean?
If a 500 horsepower car can go 200 MPH
does that equate to horses pulling a cart?

So I was dreadfully confused
by the concept of energy,
until I looked at the dictionary
and read a simple phrase.


Zingo Bingo,
that made sense.
It allowed me to grok all types of energy,
to appreciate them from different fields
and from different viewpoints.

what was energy in the martial arts?
we can measure it through weight.
The amount of weight moved,
in cases,
or resisted.
But that’s the definition physicists use,
and they are curiously blind
when it comes to the idea of chi,
which would be a type of energy
delivered by the mind.

Over the years,
following my instructor’s example,
I practiced loose-tight.
This was actually re-enforced
when I began tightening my whole body too much,
and causing myself pain.
Too much energy for the fleshy vessel to contain
and the result was ,
in my case,

And the realization,
flesh is temporary,
spirit is immortal.

on the heels,
because of that realization,
muscles that deliver weight are temporary,
energy delivered by the mind (actually the spirit)
is forever.

are we weird enough yet?
Well, stick with me,
go back and read this stuff again,
get yourself a dictionary and go crazy,
if you’re smart,
here we go.

I began hitting people without tightening anything.
I would just sort of…
get out of my head,
have my awareness a little bit behind my body,
and I would throw the body,
like a child would throw a rock,
the spirit,
would throw my body.

it was all structured,
and I wouldn’t have been able to do that
without the discipline,
and this means forms,
of the martial arts.

It was like poking a watermelon with a stick.
Bodies flew away,
I could feel it,
they were in danger of puncturing,
and I began hitting lighter and lighter,
now that I was on the right track,
the lighter I hit,
the more damage I was capable of.
And now you know why
I am a bug on the subject of


But striking people is not what the martial arts are about.
You’ve heard me say

There is an art to destruction,
but the true art is in control.

That is a true and absolute statement.

now that I was capable of using energy,
I began to explore different ways to use energy.
I made massive gains,
which were,
in the context of chi power,
incredibly small.

An incredibly vain man,
found he was but an insect
in the ways of the universe.

over the past couple of years
I have been encountering arthritis.
The good news is that I didn’t believe in arthritis,
so I was able to handle it.

I asked a doctor…
‘what are all injuries,’
she hemmed and hawed,
and I finally had to focus my question a bit better.

‘Are all injuries inflammation?’
The doctor brightened up.
(Whew! She wipes her forehead!)

You get a cut, a bruise, there is swelling.
You get disease and there is swelling.

Wait a minute!
What if you get a disease and there is no swelling?
There is swelling where you can’t see it.
For instance,
if an organ goes bad,
and can’t swell,
it might get…
I know,
but think about it,
an organ swelling
without being able to expand,
and the result is compaction,
and this can actually be perceivable
as a sort of dark massiness.

So I was getting arthritis,
and I was feeling this incredible pain,
and dark mass,
in my arms,
and around my body.

As I said,
I don’t believe in arthritis,
which enabled me to throw a punch,
and dissipate the black mass
that was the compaction of energy in my body.

the type of punch I do
is a bit different than tightening,
or evening loosening.
The type of punch I do these days,
is to open my hand
and flick it
like I am trying to flick water off a towel.
And the result is that I ‘flick’ condensed energy
out of my arms,
and out of my body,
and the arthritis disappears.

this has resulted in me doing the martial arts totally differently.
I only do the five pinans these days,
plus explore my own stuff,
I do the nine square,
and monkey boxing,
and all that,
but I also hold to the classics.
My stuff is good for exploring potentials of body motion.
but I find that the classics have a slight edge
when it comes to moving energy around
inside and outside of the body.

Mind you,
I wouldn’t have understood the classics,
if I hadn’t gone through my matrixing,
and matrixed arts,

So I do the Pinans,
oh, and Sanchin and,
every once in a while,
But I do them making myself as loose as possible,
making my body so empty
that the flow of energy in my arms,
and I am talking about sensation
and which direction ‘tactile feeling’ goes.
Then I ‘flick,’
and energy is expelled.

And sometimes,
to make sure I am not wacky,
I close my fists.

But closing your fists stops the flow of energy,
Or at least isn’t efficient
in the ‘flicking’ I am describing.
So I invariably,
and usually pretty quickly,
go back to the open hand ‘flicking’ of the energy of the body.

doing the arms this way
has totally changed
the way I do applications,
what some people call Bunkai.
here’s the weird thing,
I have found a few moves
that are now totally understandable.
They weren’t before,
I was ‘monkey seeing monkey doing’
my way through the form,
in a certain sense,
but now am no longer being so blind.

I guess we’re about done.
only one other thought,
I wonder how many people
have stayed with this essay this long?
My experience has been that a lot of people
hitting concepts they don’t understand,
go away,
even sneer and call me an idiot.

I’m up there in the clouds
with my stupid mysticism and all that,
you see.

But here’s the thing,
I speak from the 73 year old viewpoint,
from the over 50 years in the martial arts viewpoint.
And I understand what it is to get frustrated,
and especially to not have enough change,
as created by the martial arts discipline,
in your person,
to not understand something.
Believe me,
there’s more I don’t understand now,
than I ever dreamed possible.

But i do my best to describe it all to you,
and hope that you at least try to envision what I am saying.
After all,
you’re going to be 73 one day,
and you’re probably going to be having arthritis,
and other things happening,
if i can say something here,
describe the martial arts in a way
that your journey is easier and more successful,
then it’s okay that I lost a few of the fellows
who aren’t ready for this stuff.

I’m sorry for them,
I wish I could reach everybody,
but you can’t teach quantum physics to a first grader.

thanks for listening (reading)
and I hope that I’ve niggled an ‘on-off’ switch or two
inside your skull.

don’t forget to check out
Dale Gilliland’s great interview with me….

by the way,
obligatory ad…
you might try this book


Doing Yoga helped me understand a lot of this stuff,
and to work it out.
After all,
to be motionless will help you understand motion.
To just sit and look at the energy within
will help you understand the energy on the outside.
Here’s the link

it’s time for you to close this page
and go explore the things I’ve been telling you.

Have a SUPER work out!

Have you checked out my novel?
It’s on Amazon,
but you’ll probably have to look for it.
Amazon tends to hide the good stuff.

The Original Concept of Karate

the last newsletter should have warmed you up,
I’m about to throw a big fat pitch to you,
and I hope you knock it out of the park.
It is going to require a half hour or so of your time,
so clear your desk,
pour yourself a sodie pop,
put your feet up,
and get ready to invest in some real martial arts.

for those who don’t know,
the first half of this little idea
of Concept Curves in the Martial Arts, is located here…

So catch up with us,
and hurry back.

before I get rolling on this original concept of Karate
I want to know if you checked out
the original concept of Jeet Kune Do.
You can find it at the tale end of this video on youtube…

‘Jeet Kune Do’s Wing Chun roots with Guro Dan Inosanto’

my question for you is this…
Did you see the mistake in the concept?
Did you see what was wrong with it?
Or at least what was wrong with the application of it?

It’s simple,
in the three distances being matrixed
trapping, punch and kicking,
the kicking and punching was being done
at the hand held bag distance.
when the student punched or kicked,
he was punching and kicking the hand held pads,
and this is not the actual distance of a fight.
The body of the fellow holding the glove
is too far back.

Several things result because of this.

The student is training to punch and kick at the wrong distance.
And, the student is not focusing on ‘control,’
which is so crucial to learning proper technique.
The student is seeking power
and forsaking the right distance.
This is done in the name of reality,
in one sense,
it may explain why JKD practitioners
don’t dominate something like the UFC.

I actually wanted to say this,
point this error in JKD out,
just as an example of how arts degrade.
Bruce understood it.
He discovered it,
and he did an amazing job of
boiling the concepts down to workability.
But what he taught is not being
fully understood by his students.
his direct students get it,
but not to the point where they will be able to
cement it into their student’s heads quite as efficiently.
And so the art becomes less,
here’s something to think about,
can you see a day in the distant future,
where JKD will be done for health?
And will be derided because it’s not so good for self defense?
that’s the concept curve of the martial arts,
so it could well happen.

this is all just a sidetrack to the point I wanted to make today.
I wanted to get into the real concept behind Karate.
This will teach the ‘Concept Curve’ like nothing else.

In the beginning,
on Okinawa,
the teachers all knew each other,
traded techniques,
and one fellow put them into forms,
and another fellow ‘advertised’ them.
Caused a big ‘Golden Age’ of Karate.
But let’s look at one specific style of Karate,
it will probably be the best
for proving my curving concepts theory.
Uechi Ryu.

You trace Uechi Ryu back to Kanbun Uechi,
and Kanbun Uechi learned his art in China.
Uechi Ryu is supposed to have come from Pan Gai Noon,
and Pan Gai Noon is supposed to have been
a type of Temple Boxing,
I believe from the Fukien province,
and that linked back to the White Crane Kung Fu system.
in some areas it became known as
incense shop kung fu.
Not kidding.
Do a little research
and see if you can agree with me on all of this.

Karate done Uechi Style
is done with the whole body made TIGHT!
Lots of heavy breathing.
Lots of brutal blocking.

Read those three things again,
they are going to come back to haunt you
in the not so distant paragraph.

do a youtube search for karate.
Generally speaking,
you will find those three items in all styles.
in Uechi,
you will find these three concepts in spades.
These guys train like rocks,
bash on each other,
breath loudly and deeply,
and…that’s what they do.

go youtube some White Crane
I suggest this one…

Incense Shop Boxing – Southern Shaolin Luohan Fist

take a look at this one…

Incense Shop Boxing

do you see what I see?
Uechi Ryu is HARD style.
But White Crane,
which Uechi is supposed to have come from,
is softer.
You still see some of the moves,
and some of the force,
maybe even some of the forms,
or at least moves
and there is still a somewhat violent expulsion of energy,
but you can see the energy is different,
a little more internal,
most important,
you can see the linkage of the moves between White Crane
and some of the Uechi form moves,
and even concepts.

you can even see some tai chi type moves,
which may speak to the origins of White Crane,
or perhaps just the commonality of martial arts in China.

So in the beginning
Uechi was not hard.
But the people who brought it from China
didn’t understand it,
wanted the power without the deep thought,
so they made the art hard.

That’s point one.
Point two is going to be a killer,
and here the three items I spoke of
are coming back to bite you in the butt.

Point two is this…
White Crane was invented by a woman.

women can be fierce fighters,
but they are NOT obsessed with power.
They are generally NOT brutal.
And they do not lock their bodies into rock solid stances.

there can be exceptions,
but since we’ve already seen
that the soft of White Crane became the hard of karate,
why can’t we see that the soft of White Crane,
as demonstrated on these youtube videos,
came from an even softer,
even feminine source?

the lady who invented White Crane
had studied Shaolin,
so she was doubtless acquainted with hard.
But whatever she had of hard,
was handled by the necessity
of her NOT bashing bones with bigger,
stronger, brutal men.

She did kung fu like a lady,
slipping and redirecting.
And some of the stories I have read back this up,
and the theories I have come up with,
for instance that you have to know the hard
before you can learn the soft,
back this up.
techniques become softer because of age,
(or in this case because of physical necessity)
and so on,
back this up.

there is WONDERFUL parallel,
in that a woman developing Wing Chun.
The same ideas,
the same conditions,

what does this have to do with the price of butter in Manchuria?

The concept discovered and promoted by a woman
was degraded by people who didn’t understand her concept,
and wanted the power,
and didn’t want to think about what they were doing.
And these Chinese fellows passed it on to Uechi
and it degraded further,
victim to a lack of understanding,
and an obsession with power.

It’s funny,
we follow the old masters,
think the art was immaculate with them,
but that’s not the truth.
They made the same mistakes,
often greater mistakes,
and they passed down something and called it an art,
and nobody ever called them on it.

I’m not speaking of challenge matches and such,
but of calm, cool, clear, logical thinking,
I’m talking about people thinking through there concepts
and figuring out this soft thing,
this…curve of concept thing.

But it is THAT type of thought
that will enable you to get to the heart of the art,
and to master it.

I am not telling you to give up harsh training methods,
I am asking that you understand them,
that you explore them,
and that you adapt them not just to force,
but to flow.
Learn how to use that outward block to ‘guide.’
Change that slam of the leg in that throwing technique,
into a subtle knee motion
that is difficult to see.

The truth is this:
There are three elements in the martial arts.

Of the three, technique is the most important.
Technique won’t require speed,
because if you study technique
you will gain foresight,
you will see attacks coming,
and you will not need speed.

Technique won’t require power,
but rather a subtle understanding of how leverage works,
of how joints can be manipulated with a touch,
instead of a bash.

Speed and power will diminish with age.
Or they will not even exist if you are weak and scrawny,
or (please excuse me for this one) ladylike.

Technique is what it is about.
When you seek knowledge
you don’t seek speed or power,
you seek the understanding of how the body works,
how the universe works.

I hope this makes sense,
it is a hard thing to put in words,
as simple as it is.
but I have tried.
obligatory advertisement time.
I hate to have to tell you this,
but my white-haired granny’s dog needs medicine.
Poor thing. (Sniff, sniff)
So you simply must consider looking at

Matrix Tai Chi Chuan

I know it’s not White Crane,
but it is soft,
woman soft,
and it will work,
and better than most arts.
first you have to do it,
you have to look at it.
You must explore it until it does work.

And that’s the way everything in life is.

Look at, explore, master.

don’t forget to check out
Dale Gilliland’s great interview with me….

And have yourself a funomenal work out!

Have you checked out my novel?
It’s on Amazon,
but you’ll probably have to look for it.
Amazon tends to hide the good stuff.

The Curve of Martial Arts Systems

I’ve been playing with this thought over the years,

it’s pretty firm now,

so let me shoot it by you.

If you study the martial arts long enough,

you will undoubtedly trip over a concept.

The guys who do this often become ‘founders.’

They ‘invent’ a system.

Maybe the concept has been discovered before,

but it’s new to the guy,

and he starts working it,

and he groups techniques around that concept

and he keeps discovering new things

and that all becomes his system.


he understands the concept.

And because he understands

that understanding translates into superior technique,

into being able to use it on the mat,

and so on.


the guy may become well known.


I hate to tell you this,

but we are talking about people who lived

thousands of years ago,

for the most part.


there’s a guy in a village,

and he punches a tree long enough,

figures out how to step over roots and duck under branches

and he invents ‘Tree Fu.’

Now stop laughing,

I’m trying to make a point here.

And the point is that a version of Tree Fu

is being invented in a lot of different villages.

But civilization encroaches

and styles of Tree Fu agree or disagree,

we have fights and wars,

and even polite sit downs over tea,


everybody agrees,

nobody can make it work

like the founders.


the first students

of these ‘miracle Martial Artists,

they study Tree Fu,

and they have the direct hand of the founder

to help them understand the concept.

They do pretty good.

But the next generation

only has the first students,

so they understand,

and they get good,

but not as good.

And so on and so on

through the generations.

And the art becomes less understandable

the further away we go

from the founders.

Now the students aren’t even studying the basic concept,

they are being monkeys,

monkey see monkey do

And they get good over time,

but the days of miracle martial artists are behind them.

Finally, we reach a point where the art has become so diluted,

so monkey see monkey do,

so ritualized,

that it stops working.

For the most part.


a few talented students can make it work,

but the rest of us,

we’re stuck in car contracts,

duped into believing that tournaments are important

(they are, just not as important as some people would believe)

and if we’re caught on the street

we’re going to get our muscle bound asses handed to us.

Do you see the curve here?

The art is invented,

the curve goes up for a few generations,

then it starts to go down

and crashes,

and it is linked to this one simple idea:


The concept behind Tree Fu was simple.

Step over the root

duck under the limb.

The concept behind Karate,

for instance,

is amazingly complex.

What block do I use when,

kicks over punches?


point fighting vs full contact.

Is a bow respect…or something else?

Why is the horse stance?

Do you see all the garbage that are concepts…

but not THE concept?

And that is true for every art,

and ESPECIALLY for modern arts.

Modern arts,

for the most part,

are reworkings of concepts that have already had their day

and not are crashing and failing.

That’s why everybody says,

‘I take what works from everything,’

and never understand

that they are making a new garbage heap.

They are just making more kindling out of Tree Fu.


what to do.

I mean what’s the point of this rant

unless I give you a solution,

or a way to get to the solution?



Here we go.


understand that there is a concept behind everything.

You have to look at a low block

until you understand the concept of a low block.

And the concepts,

from one version of Tree Fu to the next,

will often be different.

I believe the purpose of a block is to cut the line of attack.

Many people believe it is to ‘stop’ the attack.

Many believe label a block for a distance,

or for a specific attack.


gather all the data,

make sure you understand it,


isolate what works for you.

Simple dimple, 


That’s basic Bruce Lee.

Want the basic concept of Bruce Lee’s art?

Jeet Kune Do?

It is matrixing

kicking, punching and trapping.

Take a look at 

‘Jeet Kune Do’s Wing Chun roots with Guro Dan Inosanto’

on youtube.

Towards the end of the clip,

you’ll see these three concepts

form to make JKD.

All the rest is context,

to make that concept work.

What a lot of understanding Bruce Lee had.

What a lot of concepts he went through,

to find his basic understanding of the art.

Not saying he is right or wrong,

he was obviously right for himself,

but you need to do more than monkey see monkey do.

So work his concept until you understand it,

and go looking for more.


sorry for that aside,

no matter how enlightening it is,


gather the data,

understand it from ALL viewpoints,

and search for the concept that ties it all together.

The central concept of Matrixing

is the Truth Table.

Go on,

Google that.

You’ll find the most confusing array of concepts in the world.

All abstract and weird and…

and underneath it is a simple concept.

A diagram of columns and rows.


we come to the crux of the matter.

You are a student of a student of a student…to the Nth.

Even if you are studying a brand new system,

just invented,

it’s just another confusion of data

mixed up crap over the millenium,

and it would take a Herculean effort

to make sense out of all that garbage.


you can devote yourself to defining 

the simple concept behind each move,

each form,

ech art…

and the arts.

The concept behind the martial arts is simple:

hit without being hit.

But very few arts understand that.

Boxing you are expected to get hit.

Karate is a dance to get in and out,

which fails because (drum roll) people haven’t isolated concepts.

And so on for ALL arts.

The only art I know that tries to stay true to this concept,

and even that isn’t foolproof,

is Matrixing.


I could go on and on,

I’ve already probably gone on and on too much,

I mean,

how do sift through my garbage and find your truth?


But the thing to remember is this.

Isolate the concepts

work on the concept that is most true for you.

That is the way out of and to the top of the garbage heap.

That is actually the way to understand the martial arts.

Mind you,

I am not telling you to bad mouth arts,

or to give up your art,

I am telling you to work hard enough to understand what you are doing.

That is the secret of life.


the grim moment in time,

where I must lambast you with…

the obligatory advertisement!


I would say that the

Create Your Own Art course

is one hell of a step in learning

how to understand the martial arts.

The course is old,

the quality of the tapes is not great,

but it is definitely understandable.

The course leads to an understanding of footwork,

how to tie hands to feet,



how to conceptualize an art and create it.

And there is definitely NO other course like it.

It includes bonuses and complete arts

to make my points.

Here’s the link…


thanks for being there,

thanks for being martial artists,

and have a GREAT work out!



don’t forget to check out

Dale Gilliland’s great interview with me….


Have you checked out my novel?


It’s on Amazon,

but you’ll probably have to look for it.

Amazon tends to hide the good stuff.

Martial Arts Technique Number One

Hey guys and gals!

We’re into summer now

and I hope you decided to pick an art

and learn the whole darn thing before fall.

I mean,

why waste time?

I wanted to get into ‘The First Technique,;’

or ‘Technique Number one.’

I think I may have written about this before,

but it bears repeating.

After all,

nobody in the world understands this.

I’m serious,

nobody in the world knows what technique number one is

or why it is number one.

So, here we go.

A fly is buzzing in front of your face.

Do you do a high block?

Smash that fly with a high block?


You swat it.




in many arts,

and should be in all arts,

there should be a ‘preparatory’ slap

before you do the block.

That slap is technique number one.

Think about it.

You have NEVER seen a high block done in freestyle.

It’s a worthwhile block,

teaches all sorts of things about structure and timing,


it is never used.

But the slap is used constantly.

It’s used in boxing,


virtually every other art.

So the slap is Technique Number One.

After Number One you move your hand towards the block,

but before you actually block

you grab.

Grabbing is second.

Then, finally,

you block.

Blocking is the third technique.


it is important to learn blocking.

Like I say,

it teaches a little reality,

it teaches timing,

it teaches you how the body is structured

and how energy runs through the body.


slapping is first.


you have various patterns,

and drills coming out the wazoo,

but EVERYTHING is based upon

that simple slap.


can a slap do damage?

Well, yes,

but that’s not the essence of Monkey Boxing.

If you put the steam on it,

you can break bones and even split skin with a good slap.

I especially advise people to learn

all about iron palm techniques

and how to slap the crap out of

a good, old bag of beans.

The purpose of the slap in Monkey Boxing

is not so much to do damage,

though that can EASILY happen.

The real purpose of the slap

is to guide the attack into a grab.

You see the slap is first,

but before you even start trying to to get to technique two,

or three,

you guide the attack into a simple grab.

A guy punches,

you slap softly,

so softly he doesn’t feel it,

and then he slides his arm right into your control.

You break, you guide,

you unbalance, you lock,

if you must,

you hurt him.

But try to control him before you have to hurt him.

So there you go,

a punch is slapped,


and finally blocked.


you either try to stop something,

going man to man,

or you slip it,

guide it,

and control it.


I have said it before:

While there is an art to destruction,

the true art is in control!’


i would be sadly remiss,

and miss my chance for obligatory advertising,

if I didn’t tell you that there was a  whole art

devoted to slapping?

It’s Monkey Boxing.


And Monkey Boxing is completely taught

in the Blinding Steel course.

Here’s the Monkey Boxing Link…

Have a GREAT work out!


don’t forget to check out

Dale Gilliland’s great interview with me….


Have you checked out my novel?


It’s on Amazon,

but you’ll probably have to look for it.

Amazon tends to hide the good stuff.